Performance Studies
An Introduction
Bibliographic Data
| ID | 23397992 |
|---|---|
| Authors | R Schechner (0000-0001-9303-6261, corresponding author) |
| Editors | Sarah Lucie (0000-0003-2258-6631) |
| Year | 2020 |
| Pages | 382 |
| Publication date | 2020-03-02 |
| Open Access | No |
| Type | BOOK |
| Venue | Performance Studies (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9781315269399 |
| OpenAlex | W4247612691 |
| Open Library | OL28061646M |
| ISBN | 9781315269399 |
| Language | EN |
| Citations received | 66 |
Richard Schechner's pioneering textbook is a lively, accessible overview of the full range of performance, with primary extracts, student activities, key biographies, and over 200 images of global performance. The publication of Performance Studies: An Introduction was a defining moment for the field. This fourth edition has been revised with two new chapters, up-to-date coverage of global and intercultural performances, and an in-depth exploration of the growing international importance of performance studies. Among the book’s topics are the performing arts and popular entertainments, rituals, play and games, social media, the performances of the paleolithic period, and the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, poststructuralism, ritual theory, ethology, philosophy, and aesthetics. Performance Studies: An Introduction features the broadest and most in-depth analysis possible. Performance Studies: An Introduction is the definitive overview for undergraduates at all levels and beginning graduate students in performance studies, the performing arts, and cultural studies. This new edition is also supported by a fully updated companion website, offering a variety of interactive resources, teaching tools, and research links.
Computer Science · Diverse Scientific and Economic Studies · Human auditory perception and evaluation · Theatre and Performance Studies · Literature · Performing Arts · rites and ceremonies · Theater
Representative-capacity-making
Performing the Vikings
Studios de cinéma et appréhension spectatorielle, une approche médiologique
Patrimonialiser la culture
From Canvas to Community Visual Arts as a Medium for Gender Socialization and Reproductive Health Advocacy
When Theatre Becomes Digital
Partitions performatives, variations autour de la main
La danse est-elle une technique du corps
Un atelier tout feu tout slam en didactique des langues
Escenificando el Pasado
Posant en Escena el Passat
Mettre en scène le passé
Staging the Past
Let’s Chat with a Perfect Stranger
Praxis–Body–Text
“Action-Metaphor”
Performance et non-activité dans la représentation visuelle de la musique
À la recherche du temps vécu
Miscarriage and wellbeing
Solidarity and cannibalism
Music Performance Studies and ‘Ethnomusicology at Home’
Pojhian
Los colectivos de activismo artístico en la Argentina contemporánea. Análisis de dos casos
In the Service of the Hindu Nation
Laughing Online
“Hooking Up as Performance”
Experiências Performáticas De Leitura Literária
Fluid Roles and Fragmented Time in Diane di Prima’s “The Discontent of the Russian Prince”
Football fan choreographies as multimodal performances
Water Fights Back in Lagos
Mourning and protesting
Intermedial Performativity and the Human Mind in Samuel Beckett’s Teleplays
The performativity of terrorism
How could body-augmenting technology enable human digital twins to facilitate spiritual experiences
In Pursuit of Statehood
Theatre-in-education
Les multiples dimensions des rapports entre jeux et faits religieux
Staging the nation
Cemeteries are active urban resonant places, or are they not
Avant-garde performing arts meet mechanical theater
Care and alterity in robotic art
A hefty dose of lemons
Text as Stage and Trauma as Performance
From Text to Stage
The historical transformation of the Kabasaran dance in Minahasa
Laughing at death rituals
Food for Fantasy
Haciendo sexo / género / deseo en la(s) noche(s) cordobesa(s)
The aspirations and constraints of masculinity in the family trajectories of Cape Verdean men from Praia (1989-2009)
Notes from a future regime
Des « paroles d’Afrique » dans un musée
The Fourth Wall of Professional Learning and Cultures of Collaboration
Slot machine venues and their boundaries. The growth of gambling in Italy, from an anthropological-semiotic perspective
Ritual and Transgression
Gallus Sapiens
In_Trânsito
Rousselfie Project
Taller de Muñecos y Memoria
Pratiques de danse et discours de genre, une histoire connectée
Whispers of hair
Pagan revival, re-enchantment, and new forms of rituality in Hungary
Por fuera de la lengua y el tiempo. Diálogo de saberes en América latina
Masks in context
Performing Culinary Diaspora
Performativité des chansons du Balai citoyen dans l'insurrection d'octobre 2014 au Burkina Faso
Estética e sociabilidade entre os b-boys da Maré. Driblando as fronteiras do tráfico
| Unique citing works | 66 |
|---|---|
| Citations per year | 4,13 |
| Citation span | 2010 - 2026 (17) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 64 |