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Bibliographic Data

ID23408433
AuthorsEmma Griffiths (0000-0001-6799-9451, corresponding author), Emma M Griffiths
Year2020
Pages43-138
Publication date2020-02-20
Open AccessNo
TypeCHAPTER
VenueChildren in Greek Tragedy (SOURCE_BOOK)
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/oso/9780198826071.003.0002
OpenAlexW4240749800
ISBN9780198826071
LanguageEN

This chapter examines the arguments for the use of child actors on the fifth-century Athenian stage, and concludes that textual evidence indicates that children were indeed used in the original productions. The embodied identity of children is central to their role in drama, as the identities of ‘child actor’ and ‘child character’ are more closely aligned than the identities of adult actor/character. Once the presence of children onstage is established, the chapter proceeds to evaluate questions such as the use of masks and the use of dolls. The use of child speech and song is discussed in relation to socio-historical contexts, concluding that children have more of a prominent role than we would expect.

Aesthetics · Art · Character (mathematics) · Developmental psychology · Drama · Embodied cognition · Epistemology · Identity (music) · Literature · Relation (database) · Sociology · Ancient Egypt and Archaeology · Classical Antiquity Studies · Computer Science · History · Philosophy · Psychology

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