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Music and Censorship in Vietnam since 1954

Bibliographic Data

ID23478226
AuthorsBarley Norton (Goldsmiths University of London, corresponding author)
EditorsPatricia Hall (0000-0002-5553-9893)
Year2015
Publication date2015-01-06
Open AccessNo
TypeBOOK
VenueOxford Handbook of Music Censorship (SOURCE_BOOK)
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/oxfordhb/9780199733163.013.29
OpenAlexW1858468444
ISBN9780199733163
LanguageEN

This chapter traces the history of music censorship in Vietnam since 1954 with reference to a broad range of music genres. It discusses music censorship from 1954 to 1975, when Vietnam was divided into North and South. The tight ideological control established by the Vietnamese Communist Party in the North is compared with music movements linked to antiwar protests in the South. The chapter then examines the period of severe censorship following the end of the Vietnamese-American war in 1975 and considers how the cultural climate changed in the reform era after 1986. It highlights the limits of cultural freedom in the reform era and discusses how music censorship has become intertwined with concerns about the effects of globalization on morality and national identity. Finally, the chapter addresses the impact of technology since the late 1990s, paying particular attention to Vietnamese rap and the potential for musicians to use the Internet to bypass conventional systems of state censorship.

Art · Censorship · Communism · Ideology · Literature · Media studies · Political economy · Political science · Politics · Popular music · Sociology · State (computer science) · Vietnam War · Vietnamese · Asian Culture and Media Studies · History · Hong Kong and Taiwan Politics · Law · Vietnamese History and Culture Studies

Highly citedNo

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