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Bang-Bang Has Been Good to Us

Bibliographic Data

ID2352330
AuthorsBronwyn Law-Viljoen (0000-0002-0598-1958, University of Johannesburg, Faculty of Art, Design and Architecture, [email protected], corresponding author)
Year2010
Volume27
Issue7-8
Pages214-237
Publication date2010-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTheory Culture & Society (JOURNAL)
Journal identifiersISSN: 0263-2764 • E-ISSN: 1460-3616
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0263276410383711
OpenAlexW2009937876
LanguageEN
Citations received5
References cited4

This article considers the changing perceptions, expressions and representations of violence in South Africa post-1994, with particular reference to photography. Following the evolution of the documentary tradition in its relationship to the political history of South Africa, I will suggest that since the release of Nelson Mandela and the first democratic elections in South Africa, photography has taken a new turn, particularly with regard to its representation of violence, which had been its primary iconography up to that watershed moment. I will follow three arguments (from Sartre, Benjamin and Mbembe) in my explication of the ways in which violence has both altered South African society and assumed a different place in the collective mind of South Africans living in a country that is politically free but grappling with an ever-rising wave of violent crime

Art · Art history · Democracy · Epistemology · Explication · Iconography · Photography · Political science · Politics · Representation (politics · Sociology · Visual arts · African history and culture studies · African Sexualities and LGBTQ+ Issues · Gender Studies · History · Law · Philosophy · South African History and Culture

  • Just transition? Strategic framing and the challenges facing coal dependent communities

    Open Access•Sally A Weller•Environment and Planning C…•2018

  • Photographing the zone of the “seam”

    Julie Bonzon•Safundi•2024

  • Evidence in the Networked Governance of Regional Decarbonisation

    Open Access•Sally A Weller, John L Tierney•Australian Journal of Public…•2017

  • Espectadores del dolor ajeno

    Open Access•Imanol Zubero Beascoechea, Imanol Zubero Beaskoetxea•Revista de Estudios Sociales•2016

  • Anthropology and Medical Photography

    C Lynteris, Ruth J Prince•Visual Anthropology•2016

  • Photography’s Other Histories

    Jo-Anne Driessens, Michael Aird et al.•Photography's Other Histories•2003

  • The Man Without Content

    Giorgio Agamben•The Man Without Content•1999

  • The Civil Contract of Photography

    A Azoulay, Rela Mazali et al.•Civil Contract of Photography•2021

Unique citing works5
Citations per year0.5
Citation span2016 - 2024 (9)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5

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