Not My Lifeblood
Autoethnography, Affective Fluctuations and Popular Music Antifandom
Bibliographic Data
| ID | 23645705 |
|---|---|
| Authors | Ross Garner (corresponding author) |
| Year | 2018 |
| Pages | 91-106 |
| Publication date | 2018-04-11 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | OTHER |
| Venue | A Companion to Media Fandom and Fan Studies (JOURNAL) |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1002/9781119237211.ch6 |
| OpenAlex | W4236010076 |
| ISBN | 9781119237211 |
| Language | EN |
| References cited | 29 |
This chapter contributes to debates concerning the uses of autoethnography as a methodology for exploring fan identities, as well as analyses of life fandom and antifandom by reflecting on fluctuations relating to the author's ongoing attachment to Welsh rock band the Manic Street Preachers. Adopting a self-reflexive and long-term perspective toward Manics fandom, the chapter develops three core arguments: first, it demonstrates the advantages of using autoethnography as way to explore life-fandoms. Second, it argues that an autoethnographic approach can help account for the affective fluctuations that constitute a normative aspect of long-term fandom. Third, the chapter posits a new example of antifandom––named here as intra-object antifandom––and considers the various contexts that allow this to endure over an extended time period.
Aesthetics · Art · Autoethnography · Epistemology · Escapism · Fandom · Media studies · Normative · Period (music) · Perspective (graphical) · Psychoanalysis · Reflexivity · Social science · Sociology · Visual arts · Asian Culture and Media Studies · Gender Studies · Gender, Feminism, and Media · Music History and Culture · Philosophy · Psychology · Social Psychology
Playing Fans
The Ethnographic Self
Tramps Like Us
Audiences
Collect Yourself
Sexing the Groove
Fandom
Using the Force
Doing Ethnography
New Audiences, New Textualities
A life course perspective on fandom
Talking to Bowie fans
Feeling at home
Fan Cultures
The Ashgate Research Companion to Fan Cultures
The Consumer Diaries, or, Autoethnography in the Inverted World
Spectacle of excess
Authenticity as authentication
Loaded
The racial politics of hybridity and 'neo-eclecticism' in contemporary popular music
Popular music and the aesthetics of ageing
Talking About Old Records
Playing With the Autoethnographical
Punk's Not Dead
| Citation velocity | historical |
|---|---|
| Highly cited | No |