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Resumo

Zvočni posnetki na gramofonskih ploščah, ki so jih snemalne družbe posnele s slovenskimi izvajalci na začetku 20. stoletja, omogočajo uvid v zvočnost tedanjega časa. Samo na podlagi podatkov o posnetkih ter notnih zapisov objavljenih glasbenih del bi si namreč ustvarili povsem drugačno predstavo o podobi katerega koli poustvarjenega glasbenega dela. Prispevek se osredotoča na posnetke vokalnih zasedb Glasbene matice in poleg podatkov o izvajalcih, repertoarju in snemanju podaja tudi interpretacijo nekaterih zvočnih posnetkov, na podlagi te pa odpira širše vprašanje o razmerju med ljudsko in umetno glasbo tedanjega časa. *** Sound recordings that gramophone companies recorded with Slovenian musicians and singers in the early 20th century are an important insight into the sonority of the time. The image about the music would be entirely different if only the data about recordings and sheet music would be available. The article focus is on recordings of vocal ensembles of music society Glasbena matica and in addition to the musicians, repertoire and recordings also represents an interpretation of some sound recordings. Based on this data's it opens up a broader question about the relationship between folk and art music of the time.

Referências Citadas