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Teachers as Agents of the Repatriation of Music and Cultural Heritage

Bibliographic Data

ID23707175
AuthorsPatricia Shehan Campbell (0000-0001-5103-2115, University of Washington), Jeanette C Roberts (University of Washington), J Christopher Roberts
EditorsFrank Gunderson, Robert C Lancefield (0000-0001-8758-2469), Bret Woods
Year2019
Pages282-302
Publication date2019-10-31
Peer ReviewedYes
Open AccessNo
TypeCHAPTER
VenueOxford Handbook of Musical Repatriation (SOURCE_BOOK)
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/oxfordhb/9780190659806.013.16
OpenAlexW2921968461
ISBN9780190659806
LanguageEN

As the movement to repatriate music from archives gathers steam, the question of how to effectively disseminate the music to people in the culture of origin becomes a pressing issue. This chapter argues that K–12 teachers have a distinctive ability to reintroduce archival music, through three major approaches. In “close-by child-songs by children,” teachers design lessons that incorporate field recordings of children’s music from their home culture, making the music child-centered (and culture-centered). In “child-songs from further afield,” lessons include archived children’s music that is not from the home cultures of the students; such lessons can highlight the similarities across cultures of children’s music. In “adult cultural heritage music,” teachers use the recordings of adults’ musicking experiences in the culture of origin. As such, the music of children is not represented, but the adult musical heritage is disseminated. Examples of these pedagogical approaches to repatriation are provided.

Aesthetics · Archaeology · Art · Cultural heritage · Music education · Music Geography · Music history · Musical · Pedagogy · Repatriation · Sociology · Visual arts · Diverse Music Education Insights · Diverse Musicological Studies · History · Music History and Culture · Psychology

Citation velocityhistorical
Highly citedNo

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