The Romantic Overture and Musical Form from Rossini to Wagner
Bibliographic Data
| ID | 23767725 |
|---|---|
| Authors | Steven Vande Moortele (0000-0002-9060-5534, University of Toronto, corresponding author) |
| Year | 2017 |
| Publication date | 2017-01-01 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Romantic Overture and Musical Form from Rossini to Wagner (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/9781316678701 |
| OpenAlex | W2616573565 |
| ISBN | 9781316678701 |
| Language | EN |
| Citations received | 21 |
In this book Steven Vande Moortele offers a comprehensive account of operatic and concert overtures in continental Europe between 1815 and 1850. Discussing a broad range of works by German, French, and Italian composers, it is at once an investigation of the Romantic overture within the context of mid-nineteenth century musical culture and an analytical study that focuses on aspects of large-scale formal organization in the overture genre. While the book draws extensively upon the recent achievements of the 'new Formenlehre', it does not use the overture merely as a vehicle for a theory of romantic form, but rather takes an analytical approach that engages with individual works in their generic context.
Archaeology · Art · Context (archaeology) · German · Linguistics · Literature · Musical · Musical form · Romance · Diverse Musicological Studies · History · Music History and Culture · Musicology and Musical Analysis · Philosophy
Program, Tonality, and Sonata Deformation in Leopoldo Miguéz’s Symphonic Poems
Bruckner Problem and The Study of Musical Form
Continuous Exposition in Mozart's Slow Chamber‐Music Movements
Recapitulation as Process
Éléments pour une analyse comparative de la forme musicale et du programme de Ce qu’on entend sur la montagne de Liszt
Johan Svendsen and Two‐Dimensional Sonata Form
Prolongational Closure in the Lieder of Fanny Hensel
Mixture Strategies
Cadential Melodies
Scriabin’s Lisztian-Stravinskian Sonata Forms
Against the Grain of Formal Schemes
Schubert, Gluck and the Bi‐rotational Form of the Tragic Symphony, D. 417
The Mendelssohn of the Eighteenth Century
Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century
Apparent Type 2 Sonatas and Reversed Recapitulations in the Nineteenth Century
Beethoven's Error? The Modulating Ritornello and the Type 5 Sonata in the Post-Classical Piano Concerto
Orchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel'sBoléro
Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony
The Formal Ramifications of Bruckner's Bipartite Sonata Form
Formalising Star Clusters
Schubert's Bi-rotational Sonata Forms
| Unique citing works | 21 |
|---|---|
| Citations per year | 2,63 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 19 |