Prosthetic Imaginings and Pedagogies of Early Childhood Art

Bibliographic Data

ID2386017
AuthorsChristine Marmé Thompson (0000-0001-5162-3767, Penn State University, State College, USA)
Year2015
Volume21
Issue6
Pages554-561
Publication date2015-07-01
Open AccessYes
TypeARTICLE
VenueQualitative Inquiry (JOURNAL)
Journal identifiersISSN: 1077-8004 • E-ISSN: 1552-7565
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1077800415581892
OpenAlexW1833888895
LanguageEN
Citations received2
References cited9

What is the process that is invoked when early childhood educators reassure themselves that it is "process not product" that counts in the art experience of young children? Is this ultimately a way of dismissing intentions we do not understand or reducing the ways that art functions for young children to a singular focus on manipulative activities? How do we define drawing events, and how do we recognize those that constitute lines of flight for the child and his or her companions? Should we understand children's art making as a display of the child's interiority, or is it more accurately understood as an assemblage of influences coming together in particular moments? This article offers a perspective on child art that recognizes and values the complexity of children's lives as they come together in prosthetic spaces where art making is understood as fluid performative event, influenced more profoundly by the personal, social, and material circumstances of its making than by developmental constraints or preordained assignments or intentions

Aesthetics · Art · Assemblage (archaeology · Autoethnography · Developmental psychology · Dialogic · Early childhood · Epistemology · Event (particle physics · Focus (optics · Pedagogy · Performative utterance · Perspective (graphical · Product (mathematics · Sociology · Visual arts · Art Education and Development · Children's Rights and Participation · Gender Studies · History · Participatory Visual Research Methods · Philosophy · Psychology

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