Emotional Space
Performing the Resistive Possibilities of Torch Singing
Bibliographic Data
| ID | 2387013 |
|---|---|
| Authors | Stacy Holman Jones (0000-0001-8752-527X, University of South Florida) |
| Year | 2002 |
| Volume | 8 |
| Issue | 6 |
| Pages | 738-759 |
| Publication date | 2002-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Qualitative Inquiry (JOURNAL) |
| Journal identifiers | ISSN: 1077-8004 • E-ISSN: 1552-7565 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/107780042238077 |
| OpenAlex | W1985974341 |
| Language | EN |
| Citations received | 4 |
| References cited | 12 |
Torch songs are standards-musical forms and formulas that recount the pain and suffering of unrequited love. But torch songs are also sites-interpretive spaces waiting to be filled by a performance. As such, torch singing is at once a product and producer of action-a site for concerted connection, deliberation, and contention. The resistive possibilities of a song of unrequited love are generated in the singing, in how a performance of a standard creates new spaces, new movements, and new meanings
Acoustics · Action (physics · Aesthetics · Art · Dance · Deliberation · Linguistics · Musical · Physics · Singing · Sociology · Torch · Visual arts · Diverse Musicological Studies · Engineering · Music History and Culture · Philosophy · Theatre and Performance Studies · Mechanical Engineering
| Citations per year | 0.18 |
|---|---|
| Citation span | 2004 - 2019 (16) |
| Highly cited | No |