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Kaleidoscope Notes

Writing Women's Music and Organizational Culture

Bibliographic Data

ID2387388
AuthorsStacy Holman Jones (0000-0001-8752-527X, The University of Texas at Austin)
Year1998
Volume4
Issue2
Pages148-177
Publication date1998-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueQualitative Inquiry (JOURNAL)
Journal identifiersISSN: 1077-8004 • E-ISSN: 1552-7565
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/107780049800400202
OpenAlexW2128260615
LanguageEN
Citations received17
References cited7

This work explores the meaning and experience of women's music within organizational and performative contexts. This work is also about the politics and passion of writing ethnography as a collage of field notes, poetry, song, conversation, interviews, theories, performances, and defenses. Join the author at The Club, a small, nonprofit, nonmain stream folk music venue and enter into this conversation with an ethnographer, per former, audience member, critic, and apprentice. Enjoy the show

Aesthetics · Apprenticeship · Art · Autoethnography · Conversation · Ethnography · Linguistics · Literature · Meaning (existential · Media studies · Passion · Performative utterance · Poetry · Sociology · Visual arts · Anthropology · Communication · Gender Studies · Management and Organizational Studies · Psychology · Race, History, and American Society · Social Psychology · Theater, Performance, and Music History

  • Two Truths and a Lie

    M Heather Carver•Journal of American Folklore•2005

  • Practicing Narrative Inquiry II

    A P Bochner, Andrew F Herrmann•Oxford Handbook of Qualitative…•2020

  • Art as a Tool to Read Social Science Data

    Open Access•Judith Davidson, Shanna Rose Thompson et al.•International Review of…•2014

  • Behind the Baton

    Open Access•Brydie-Leigh Bartleet•Journal of Contemporary Ethnography•2009

  • Family Genealogy and Family Communication

    Open Access•Amy M Smith•Genealogy•2017

  • The Poetics of Tourist Experience

    C Noy•Journal of Tourism and Cultural…•2007

  • Tuning-In to Organizational Song as Aesthetic Discourse

    Nick Nissley•Culture and Organization•2002

  • This is the sound of one voice

    Open Access•Sue Monk, Elizabeth Mackinlay et al.•Qualitative Research Journal•2015

  • Accidental Dialogue

    Open Access•C N Poulos•Communication Theory•2008

  • Casing the Academy for Community

    Open Access•H L Goodall, Hannah Goodall•Communication Theory•1999

  • Women, musics, bodies, and texts

    Stacy Holman Jones•Text and Performance Quarterly•1999

  • Performance, culture and the sociology of education

    Paul Atkinson•International Studies in…•2004

  • The Greatest Band That Never Was

    Katz, Stephen Katz•Popular Music & Society•2018

  • The Art of Doing (Geographies of) Music

    Open Access•Nichola Wood, Michelle Duffy et al.•Environment and Planning D…•2007

  • The Ancestor Syndrome

    Open Access•Barbara Duarte Esgalhado•Qualitative Inquiry•2003

  • Arts-Based Inquiry in QI

    Open Access•Susan Finley•Qualitative Inquiry•2003

  • The Management of Hunger

    Open Access•Katherine Frank•Qualitative Inquiry•2000

  • Post-Modern Ethnography

    Stephen A Tyler•Writing Culture•1986

  • Toward a pleasure‐centered economy

    Elizabeth Bell•Text and Performance Quarterly•1995

  • Performing as a moral act

    Dwight Conquergood•Literature and Performance•1985

  • Poetics, play, process, and power

    Dwight Gonquergood•Text and Performance Quarterly•1989

  • Performing Drama/Dramatizing Performance

    Marvin Carlson, Michael Vanden Heuvel•Theatre Journal•1992

Unique citing works17
Citations per year0.63
Citation span1999 - 2020 (22)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 16

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