The remediation of the personal photograph and the politics of self-representation in digital storytelling
Bibliographic Data
| ID | 2391020 |
|---|---|
| Authors | Sonja Vivienne (0000-0003-0467-0602, Queensland University of Technology, corresponding author), J Burge (0000-0002-4770-1627, Queensland University of Technology) |
| Year | 2013 |
| Volume | 18 |
| Issue | 3 |
| Pages | 279-298 |
| Publication date | 2013-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Material Culture (JOURNAL) |
| Journal identifiers | ISSN: 1359-1835 • E-ISSN: 1460-3586 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/1359183513492080 |
| OpenAlex | W2025699518 |
| Language | EN |
| Citations received | 44 |
| References cited | 22 |
Over the past couple of decades, the cultural field formerly known as 'domestic', and later 'personal' photography has been remediated and transformed as part of the social web, with its convergence of personal expression, interpersonal communication and online social networks (most recently via platforms such as Flickr, Facebook and Twitter). Meanwhile, the digital storytelling movement (involving the workshop-based production of short autobiographical videos) from its beginnings in the mid-1990s relied heavily on the narrative power of the personal photograph, often sourced from family albums and later from online archives. This article addresses the new issues arising for the politics of self-representation and personal photography in the era of social media, focusing particularly on the consequences of online image-sharing. It discusses in detail the practices of selection, curation, manipulation and editing of personal photographic images among a group of activist-oriented queer digital storytellers who have in common a stated desire to share their personal stories in pursuit of social change and whose stories often aim to address both intimate and antagonistic publics
Aesthetics · Art · Digital Storytelling · Literature · Media studies · Narrative · Personal narrative · Political science · Politics · Queer · Social media · Sociology · Storytelling · Visual arts · World Wide Web · Computer Science · Digital Storytelling and Education · Gender Studies · Law · Memory, Trauma, and Commemoration · Radio, Podcasts, and Digital Media
Subjektivitas Imperfek
El selfie como performance de la identidad. Explorando la performatividad de la auto-imagen desde el arte de acción
Where We At? New Directions for Research on Popular Culture and World Politics
New Media 3.0
Unveiling unseen climate practices on Instagram
Imaginarios del futuro tras la muerte de Nicanor Parra
Exploring the Life Cycle of Smartphone Images from Camera Rolls to Social Media Platforms
Mixed methods on Instagram research
Tradition Gone Mobile
Imaginarios situados
A scoping review of the use of visual methods in supporting women with substance use histories
Digital Storytelling
My sport, my perspectives
The National is Personal
Everybody Puts Their Whole Life on Facebook”
Symbolic bordering
People of immigrant and refugee background sharing experiences of mental health recovery
Social media photography
Amplification and the limits of visibility
Record, revise, reinvent, and resist
Connecting with New Audiences
Affluent and Tender Online”
Through Their Eyes
What is remembered lives
Self-regarding
Consumers, curations, ‘community’, contestation and the time of Covid-19. Linkages and perspectives
The Role of Social Media Platforms in Contemporary New Zealand LGBTQ + Movements
Toward a non-binary sense of mobility
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Selfie-taking as touristic looking
Digitising the wisdom of our elders
Instagram and the museum experience
Manual engagement and automation in amateur photography
Reframing Surfing
Two hundred ninety-four
Años De Profesionalización De La Antropología Ecuatoriana
Space, Place, and the Self
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Images of Breastfeeding on Instagram
Algorithmic Hotness
Making the Cut
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Visualising the universe
Photography, care and the visual economy of Gambian transatlantic kinship relations
Stigma
Langage et pouvoir symbolique
Gender Trouble
Digital photography
The Family Gaze
Snapshots of Almost Contact
Animating the Everyday
Media, Society, World
Hearing Ordinary Voices
The Presentation of Self in the Age of Social Media
Taking risky opportunities in youthful content creation
Taken Out of Context
Getting to the Photo Finish
Technology and the Market
Kodakers Lying in Wait
Publics and Counterpublics
Materializing identities
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| Unique citing works | 44 |
|---|---|
| Citations per year | 3,67 |
| Citation span | 2014 - 2026 (13) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 42 |