Considering the glass case
Material encounters between museums, visitors and religious objects
Bibliographic Data
| ID | 2391077 |
|---|---|
| Authors | Steph Bern, Steph Berns (Lancaster University, corresponding author) |
| Year | 2016 |
| Volume | 21 |
| Issue | 2 |
| Pages | 153-168 |
| Publication date | 2016-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Material Culture (JOURNAL) |
| Journal identifiers | ISSN: 1359-1835 • E-ISSN: 1460-3586 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/1359183515615896 |
| OpenAlex | W2374052509 |
| Language | EN |
| Citations received | 16 |
| References cited | 21 |
This article considers the often overlooked, or looked through, museum display case. Glass cases provide physical barriers between museum exhibits and visitors. Their efficacy is what keeps them hidden. But when the case obstructs a visitor-object interaction, their presence becomes strikingly obvious. The usually discerning cases are blamed for disrupting, distancing and inhibiting museum experiences. Yet, cases can facilitate many encounters that aid visitors' abilities to connect devotionally with exhibits. To explore the active role that glass cases play, this article employs an actor-network approach to examine interactions at an exhibition on medieval Christian relics, where the cases acted as channels and barriers within the process of veneration, as well as the means to erase traces of religious practices. Situated in debates about materiality and lived religion, this article considers the role of mundane material objects in visitor-object encounters and the mediated nature of religious experiences in non-devotional spaces
Distancing · Materiality · Veneration · Visitor pattern · Anthropological Studies and Insights · Museums and Cultural Heritage · Religious Tourism and Spaces
The museum is like a temple
Interpreting Religion with Cultural Heritage Students
The Art Gallery and its Audience
Sensing Materiality in the Museum of Witchcraft and Magic
A netnography approach to exploring the components of memorable faith destination experiences in Central Asia Unesco world heritage sites
Socio-material network analysis
Experiential design and religious publicity at D.C.’s Museum of the Bible
Religion of the past or living heritage
Sacred Heritage
Heritagization of religious sites
On the journey to sainthood
Networks on the walls
Original Copies
Crudo Expuesto
Residui sacrali nei musei
Flower, soil, water, stone
Unobtrusive Measures
Shaping technology/building society
Purity and Danger
Art And Agency
Embodied Eye
Re-Imagining the Museum
Reassembling the Social
Exhibition review
Animate Objects
Purity and Danger
Cannibal Tours and Glass Boxes
Pandora's hope
Sacred waste
Religious revelation, secrecy and the limits of visual representation
Does God Exist in Methodological Atheism? On Tanya Lurhmann's When God Talks Back and Bruno Latour
Thing Theory
The Martyrs' Museum in Tehran
| Unique citing works | 16 |
|---|---|
| Citations per year | 2 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 16 |