Complicating the Lone Voice Through Rewriting in Role

Bibliographic Data

ID2409178
AuthorsClaire Coleman (0000-0002-5452-8834)
Year2023
Volume23
Issue2
Pages212-221
Publication date2023-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCulture Studies ↔ Critical Methodologies (JOURNAL)
Journal identifiersISSN: 1532-7086 • E-ISSN: 1552-356X
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/15327086221138982
OpenAlexW4313300470
LanguageEN
References cited26

Rewriting in role emerged out of the necessity to make sense of multiple versions of the same event and create a coherent narrative. It became, however, a vital experimental method that challenges the authoritative voice, aligns with critical pedagogy, and invites the reader into a dynamic discourse. This methodological innovation is akin to performative ethnography, factionalization, writing as inquiry, and others; rewriting in role is a deliberate and transparent process of rewriting existing data through fictional characters. It generated an entertaining, juicy, and embodied rendering of events to stage and analyze research, not as inert knowing but as active questioning

Aesthetics · Art · Embodied cognition · Ethnography · Event (particle physics · Linguistics · Narrative · Performative utterance · Programming language · Rendering (computer graphics · Rewriting · Sociology · Anthropology · Art Education and Development · Artistic and Creative Research · Computer Science · Theatre and Performance Studies · Artificial Intelligence · Philosophy

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