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The Sociogenesis of Vincent van Gogh's Fundamental Artistic Disposition

Bibliographic Data

ID2412652
AuthorsWill Atkinson (0000-0002-1032-1241, University of Bristol, corresponding author)
Year2020
Volume14
Issue2
Pages123-138
Publication date2020-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCultural Sociology (JOURNAL)
Journal identifiersISSN: 1749-9755 • E-ISSN: 1749-9763
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1749975520916643
OpenAlexW3009442368
LanguageEN
Citations received5
References cited25

Vincent van Gogh is one of the most well-known and influential artists in the western tradition. A sociological analysis of his creative practice, therefore, not only illuminates particularly consequential interventions in the history of art, with its knock-on effects for cultural consumption, but affords an opportunity for deepening our understanding of cultural production per se. At stake, I argue, is a fundamental artistic disposition - in this case, an aesthetic orientation toward nature and sentiment - persisting through, if not underpinning, changes of style. This article reconstructs the myriad forces involved in the genesis of this disposition in van Gogh's early years. It draws upon the conceptual tools of Pierre Bourdieu to do so, but goes beyond them by stressing the importance of familial heritage and 'second order' field effects in shaping the young van Gogh's aesthetic sympathies, long before he briefly entered the French artistic field in his final year of life

Aesthetics · Art · Disposition · Epistemology · Literature · Sociology · Underpinning · Philosophy · Social and Cultural Dynamics

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Unique citing works5
Citations per year1,25
Citation span2022 - 2025 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5

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