Dados Bibliográficos

AUTOR(ES) Y. Hu , Jana Diesner , Ted Underwood , Zoe LeBlanc , Glen Layne-Worthey , John Stephen Downie
AFILIAÇÃO(ÕES) Indiana University School of Social Work, School of Social Sciences and Technology, Technical University Munich, Munich, Germany, School of Information Sciences, University of Illinois Urbana Champaign, Champaign, IL, USA
ANO 2025
TIPO Artigo
PERIÓDICO Big Data & Society
ISSN 2053-9517
E-ISSN 2053-9517
DOI 10.1177/20539517251359229
ADICIONADO EM 2025-08-18

Resumo

Attracted by the promise of a broader and more egalitarian sample of readers than published book reviews provide, researchers are increasingly scraping social reviewing platforms like Goodreads for data about readers' behavior. Yet, treating online book reviews as direct proxies for readers and books can be problematic, as they are socially and technically constructed artifacts shaped by platform dynamics, whether between developers and users, or book industry stakeholders and reviewers. To uncover these complexities, we computationally curated 331,211 self-identified incentivized book reviews to understand the growth of incentivized content, and how these purportedly equal-access social reviewing spaces are re-inscribing the inequalities of traditional book reviewing and publishing. Our findings underscore the necessity of critical examination of both online book reviewing and cultural datasets derived from social media platforms. With the growing restrictions on access to platform data for research, this study also demonstrates the potential for a mixed-method analysis of historical scraped datasets; an approach that will likely be of interest to many researchers working with cultural data moderated by black-box algorithms. With this method, our research reveals for the first time the scale of the phenomena of incentivized book reviews that is well known to users of Goodreads but remains largely anecdotal. Additionally, it illuminates the rise of sponsored content while contributing to broader discussions on computational approaches to digital economies of prestige and the responsible use of platform-mediated cultural datasets across disciplines.

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