Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Between Tatami Mats and Sawdust

The Ambiguity of Breton Wrestling Sites

Bibliographic Data

ID2430782
AuthorsDario Nardini (0000-0002-6017-0269, corresponding author)
Year2020
Volume93
Issue2
Pages5-26
Publication date2020-01-01
Open AccessNo
TypeARTICLE
VenueAnthropological Quarterly (JOURNAL)
Journal identifiersISSN: 0003-5491 • E-ISSN: 1534-1518
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/anq.2020.0024
OpenAlexW3083058088
LanguageEN
Citations received1

The competitive schedule of gouren, Breton wrestling, is divided into two seasons. During winter, the wrestlers compete in indoor sports halls, while in summer they wrestle en plein air, in outdoor sawdust arenas, confronting each other in a “traditional” contest called “Mod Kozh” (“old-fashioned”). The structure and the symbolic references of these two kinds of tournaments clearly differ. This article focuses on the different processes of cultural management of space and history carried out by wrestlers in each of these competitive patterns, in an apparently contradictory frame between modernity and tradition, globalization and localization. In fact, the winter indoor sports arenas can be described as kinds of “non-places,” impersonal and strictly operational. These settings are similar in every part of the world and represent the stages of many other modern sports—not only gouren. On the other hand, Mod Kozh tournaments take place in typical and rec-ognizable settings, which clearly evoke the traditional features of gouren and immediately reflect the stereotypical representation of Breton culture and history. In such places, athletes immediately feel “at home.” In fact, Brittany’s landscape has represented their “natural” habitat since Breton wrestling was first practiced by their ancestors, the Celts. Nevertheless, Mod Kozh tournaments are actually a more recent re-invention than indoor competitions. This article describes how Breton wrestlers use the cultural representations of spaces and “landscapes” to define their activity, and themselves, as authentically Breton. In fact, these representations both enact and contribute to shaping Breton identity, even now that gouren has been transformed into a competitive modern sport

Aesthetics · Ambiguity · Archaeology · Art · CONTEST · Identity (music) · Linguistics · Modernity · Natural (archaeology) · Political science · Politics · Representation (politics) · Sociology · Cultural Identity and Heritage · Historical Studies and Socio-cultural Analysis · History · Law · Sport and Mega-Event Impacts

  • Being Breton through wrestling

    Open Access•Dario Nardini, Aurélie Épron•Ethnography•2021

Citations per year0.2
Citation span2021 - 2021 (1)
Highly citedNo

Tools

Open DOI
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae