From Region to Class, the Changing Locus of Country Music
A Test of the Massification Hypothesis
Bibliographic Data
| ID | 2553549 |
|---|---|
| Authors | R A Peterson (0000-0002-0431-6913, Vanderbilt University, corresponding author), Paul Di Maggio (Harvard University Press) |
| Year | 1975 |
| Volume | 53 |
| Issue | 3 |
| Pages | 497 |
| Publication date | 1975-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Social Forces (JOURNAL) |
| Journal identifiers | ISSN: 0037-7732 • E-ISSN: 1534-7605 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.2307/2576592 |
| OpenAlex | W4244458578 |
| Language | EN |
| Citations received | 25 |
Journal Article From Region to Class, The Changing Locus of Country Music: A Test of the Massification Hypothesis Get access Richard A. Peterson, Richard A. Peterson Vanderbilt University Search for other works by this author on: Oxford Academic Google Scholar Paul Di Maggio Paul Di Maggio Harvard University Search for other works by this author on: Oxford Academic Google Scholar Social Forces, Volume 53, Issue 3, March 1975, Pages 497–506, https://doi.org/10.1093/sf/53.3.497 Published: 01 March 1975
Art · Art history · Class (philosophy) · Epistemology · Locus (genetics) · Media studies · Political science · Sociology · Test (biology) · Classics · Cultural Industries and Urban Development · Music History and Culture · Philosophy · Social and Cultural Dynamics
The New Food Truck in Town
Disconnected, Not Polarized
Cultural Consumption in the Fine and Popular Arts Realms
You Are What You Listen To
Work songs, hegemony, and illusions of self
The big bang theory of stardom
Mobilizing personal networks into concert audiences
Geography of American rap
Home is where the heart is
Honky Tonks, Jukeboxes, and Wild, Wild Women
Popular music is plural
The taste for popular music
Idealism down on the farm
The silent performance
Massifícation revisited
Riesman's Character Typology and Musical Preferences
Country Roads” to Globalization
Proteus at Bay
Why does country music sound white? Race and the voice of nostalgia
The aesthetics of country music
Culture and Competition
Production Organizations in the Arts
Cultural values and globalization
A New Type of (White) Provider
The Rhetoric of Violence in Rap and Country Music
| Unique citing works | 25 |
|---|---|
| Citations per year | 0,49 |
| Citation span | 1975 - 2023 (49) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 25 |