Cultural Consumption in the Fine and Popular Arts Realms
Bibliographic Data
| ID | 12911870 |
|---|---|
| Authors | Omar Lizardo (0000-0002-5405-3007, University of Notre Dame, corresponding author), Sara Skiles (University of Notre Dame) |
| Year | 2008 |
| Volume | 2 |
| Issue | 2 |
| Pages | 485-502 |
| Publication date | 2008-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Sociology Compass (JOURNAL) |
| Journal identifiers | ISSN: 1751-9020 • E-ISSN: 1751-9020 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1751-9020.2008.00101.x |
| OpenAlex | W2115817978 |
| Language | EN |
| Citations received | 32 |
| References cited | 75 |
In this paper, we review recent sociological research dealing with the consumption of culture produced in the fine and popular arts realms. Most of the initial theoretical developments in the study of culture consumption were intended to explain audience segmentation in the fine arts realm under the ‘cultural capital’ paradigm developed by Pierre Bourdieu. This paradigm shift has led to the current dominance of the ‘omnivore thesis’ in the sociology of taste. The consumption of popular culture, however, remained for a long time dominated by the Birmingham ‘resistance’ and ‘subculture’ paradigms developed in the 1970s. Recent popular arts consumption research has moved beyond the limitations of the subculture paradigm by incorporating the theoretical legacy of the cultural capital paradigm in order to account for patterns in audience and producer differentiation in popular arts ‘scenes’. This has brought the study of popular and fine arts culture consumption under a single conceptual framework after a long period of theoretical disengagement
Aesthetics · Art · Consumption (sociology · Cultural capital · Dance · Media studies · Political science · Popular culture · Realm · Social science · Sociology · Subculture (biology · Taste · The arts · Visual arts · Cultural Industries and Urban Development · Law · Music History and Culture · Psychology · Social and Cultural Dynamics
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De intergenerationele reproductie van cultureel kapitaal in belichaamde, geïnstitutionaliseerde en geobjectiveerde vorm
Media as the great emancipators? Exploring relations between media repertoires and cultural participation in Flanders
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Popular culture and high culture
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Handbook of theory and research for the sociology of education
Club cultures
Politics of Mass Society
The changing impact of social background on lifestyle
Subculture
Music Scenes
Distinction
Resistance Through Rituals
The Historical Genesis of a Pure Aesthetic
Distinction through visual art
The social stratification of theatre, dance and cinema attendance
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Evolution, extinction, or status quo? Canadian performing arts audiences in the 1990s
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Is 'distinction' really outdated? Questioning the meaning of the omnivorization of musical taste in contemporary France
From exclusive to inclusive elitists and further
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The Status of Cultural Omnivorism
Critical Discourse and the Cultural Consecration of American Films
Social Class and Cultural Mobility
The Production of Culture Perspective
Producing Artistic Value
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Lifestyle and Social Class
Omnivores Show up Again
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Processing Fads and Fashions
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Consumption and the Problem of Variety
Social class and arts consumption
| Unique citing works | 32 |
|---|---|
| Citations per year | 1,88 |
| Citation span | 2009 - 2025 (17) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 31 |