The field of cultural production, or
The economic world reversed
Bibliographic Data
| ID | 4331005 |
|---|---|
| Authors | Pierre Bourdieu (0000-0001-6386-4269, corresponding author) |
| Year | 1983 |
| Volume | 12 |
| Issue | 4-5 |
| Pages | 311-356 |
| Publication date | 1983-11-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/0304-422x(83)90012-8 |
| OpenAlex | W1992680037 |
| Language | EN |
| Citations received | 537 |
| References cited | 14 |
Archaeology · Art · Capital (architecture · Cultural capital · Economics · Epistemology · Field (mathematics · Habitus · Literary criticism · Literary science · Literature · Position (finance · Production (economics · Pure mathematics · Social science · Sociology · Historical and Literary Studies · History · Mathematics · Philosophy
The Anthology in Digital Culture
What Predicts Success in Literary Prizes? Evidence from Germany
Em busca da visibilidade
Narratives of Low Countries History and Culture
Three Modes of Valuation Practices in Art Games
Contingencies of Value
Remembering and Forgetting
Le mythe urnosséen, ou la fabulation anthropologique selon André Hamel
The Death of the Avantgarde
Being There
Analyzing the Cambodian insurgency as a social field
Engineering Education between Science and Practice
La Cultura Como Simbolizacion De Clase O Reificacion De Masas? Una Crítica a La Distinción De Bourdíeu
Ausbildungs(in)adäquanz als Mediator von Bildungserträgen – Unterwertige Beschäftigung und soziale Ungleichheit
The struggle for authority and legitimacy
Contrapontos Fragmentários
Opera and Society in Italy and France from Monteverdi to Bourdieu
Global Literary Studies
Classifications in Popular Music
Cultural Production in Networks
The Literary Field of Twentieth-Century China
Discourses, Dialogue and Diversity in Biographical Research
Science Fiction and Climate Change
Queer Festivals
Symbolic, Cultural, and Social Capital
The Roots of Empire
Conclusion
The Publishing of Protest
From Africa to America, and Back Again
Transorganisational work and production in the creative industries
Custom Publishing in the UK
Social Structure and Cultural Production
Autonomy and Dependency in Two Successful UK Film and Television Companies
Career Stories
Evaluating Excellence in the Arts
Institutionalizing Authenticity in the Digitized World of Music
Cultural Mediators and Gatekeepers
Understanding Australian ethnic minority artists’ careers
Reducing creative labour precarity
Creative Tourism Consumption
The Construction of Authenticity in the Creative Process
Reputation, Status Networks, and the Art Market
Cultural policy in the Nordic welfare states
What may culture contribute to urban sustainability? Critical reflections on the uses of culture in urban development in Oslo and beyond
Medium and Message
Arts Managers as Liaisons between Finance and Art
Entrepreneurship by design
Indexing Instruction
La reconstrucción de la sociología de los intelectuales y su programa de investigación
A Conceptual Framework for Journalistic Identity on Social Media
The Politics of Education in Dorothy Richardson’s Dental Record Writings
The Leadership Industry and the Cultural Production of Leadership
Social capital of public housing residents across mixed-income housing types and configurations
Between a rock and a hard place
Building Capital
Az elitcsere korlátai. Kultúrpolitika és reputáció a magyar színházi mezőben
A Socio-Historical Mapping of Translation Fields from Bourdieu’s Perspective
Analysıs of the 6 February 2023 Turkey earthquake as a challenge ın dısaster sociology under the guıdance of Bruno Latour and Terrestrıal
Is there a comic book industry
A Quixotic Venture
Listening to Electric Miles
From IRL (in-real-life) to URL
Theorizing comic cons
Improvisation and Value in Rock, 1966
In my tomb
Longe demais dos capitais
A társadalmi élet alszférái
Exploring the traditional ritual of Jaran Kepang Papat
Economies of scope in artists’ incubator projects
El sociólogo del No
Minority Views
Computing Literary Surplus Value
How social cash transfers reach beneficiaries in Ghana
A bibliometric analysis of cultural heritage research in the humanities
Empowering college student employment through community cultural wealth
International Mobility and the “Academic” Ethos of Women in the Global Contemporary Art World
Mobilité internationale et ethos « scolaire » des femmes dans le monde de l’art contemporain globalisé
La place du français familier dans l’enseignement du FLE en contexte chypriote-hellénophone
Beyond the Modern Museum. A theoretical framework for a museal landscape analysis
Von Schreibschulen und Pegida-Verstehern. Neurechte Literaturkritik
Why doesn’t anyone write anything about Slade? Reassessing glam
The transnational production and reception of “a future classic”
“It’s a bit like pick and choose”
Academıc musıc journal publıshıng ın Türkiye
Volunteer tourism fields
Situating the videogame maker’s agency through craft
Effectiveness of teachers’ professional development in Dalits’ opportunities for capability development in Nepal
Nimrod contre Ahmed
Design of Communication
Artists as Cultural Intermediaries
Uncover the theory practice gap in Swedish transport planning
Shaping excellence
Need for space. How artists rely on space to face precarious work conditions
Theorizing omnivorousness
Substantialising
Promoting traditional leisure
“No more little boxes” – Poetic Positionings in the Literary Field
Co przychodzi po końcu władzy symbolicznej
Sustainability consciousness and non-government organisational performance in Bangladesh
The Language Contestations and Complexities at a South African Higher Education Institution
Literary Dissent in Communist China
La Théorie de l'art pour l'art
The production of belief
Naissance du roman psychologique
Art As Collective Action
Situation du champ littéraire
Constraints of Realeme Insertability in Narrative
Une interprétation de la théorie de la religion selon Max Weber
Art Worlds and Social Types
L'epoque 1900 et la resurgence du mythe de Cythere
La production de la croyance
The Sociology of Art and Literature
| Unique citing works | 537 |
|---|---|
| Citations per year | 9,59 |
| Citation span | 1970 - 2026 (57) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 523 |