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In my tomb

Unveiling the Beach Boys state historical landmark

Bibliographic Data

ID21783604
AuthorsDale Carter (Aarhus University, corresponding author)
Year2021
Volume13
Issue3
Pages254-272
Publication date2021-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePopular Music History (JOURNAL)
Journal identifiersISSN: 1740-7133 • E-ISSN: 1743-1646
PublisherEquinox Publishing (PUBLISHER • GB)
DOI10.1558/pomh.39054
OpenAlexW3038068958
LanguageEN
References cited18

In recent decades, popular music in the USA, UK and elsewhere has increasingly been addressed as cultural heritage: by state authorities, commercial and professional interests, and fans. This article contributes to the growing scholarship on popular music heritage through a case study of the 2005 dedication of a California state historical landmark at the site of the Beach Boys’ childhood home and the process that enabled it. Drawing on concepts rehearsed by scholars in popular music, heritage studies and related fields, it identifies the discourses and interests attached to the exercise, and argues that the landmark’s establishment saw a high degree of cooperation between public officials, professional interests and grass-roots activists. Although the landmark risked enshrining and entombing the group in a monument to their early-era image of surf, sand and romance, its dedication ceremony saw fans recognizing the group in more informed, realistic, respectful and up-to-date ways

Archaeology · Art · Cartography · Ceremony · Cultural heritage · Geography · Landmark · Literature · Media studies · Political science · Popular music · Romance · Scholarship · Sociology · Visual arts · Cultural Heritage Management and Preservation · Diverse Musicological Studies · History · Law · Music History and Culture

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Citation velocityhistorical
Highly citedNo

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