Retrospective Cultural Consecration in Popular Music
Rolling Stone’s Greatest Albums of All Time
Bibliographic Data
| ID | 3756475 |
|---|---|
| Authors | Vaughn Schmutz (Emory University, corresponding author) |
| Year | 2005 |
| Volume | 48 |
| Issue | 11 |
| Pages | 1510-1523 |
| Publication date | 2005-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | American Behavioral Scientist (JOURNAL) |
| Journal identifiers | ISSN: 0002-7642 • E-ISSN: 1552-3381 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0002764205276617 |
| OpenAlex | W2074351151 |
| Language | EN |
| Citations received | 70 |
| References cited | 16 |
Acts of cultural consecration set sacred cultural producers and products apart from their profane counterparts. Some acts of consecration occur retrospectively, such as Allen and Lincoln's examination of the retrospective cultural consecration of American films. In this article, the author extends Allen and Lincoln's findings to the field of popular music by considering the effects of popular, professional, and critical reception on the likelihood that a popular music album was retrospectively consecrated by Rolling Stone magazine
Aesthetics · Archaeology · Art · Art history · Consecration · Popular music · Sociology · Visual arts · History · Music History and Culture · Social and Cultural Dynamics · Theater, Performance, and Music History
Gender and Cultural Consecration in Popular Music
Classifications in Popular Music
Music, Memory, Space and Place
In Search of ‘Independent’ Brisbane
Transformation in Cultural Industries
Charting Gender
Borne Ceaselessly Backwards
Managing the Boundaries of Taste
Putting Radiohead Next to Bach.’ Perceptions of Cultural Hierarchy Unravelled with a Ranking Task
Rethinking Stardom
Sing as you talk
In my tomb
From screen to charts
Recognition Killed the Radio Star? Recognition Orientations and Sustained Creativity After the Best New Artist Grammy Nomination
Transcendence, fast and slow
The social positions of taste between and within music genres
Underrated, overlooked, suppressed, discarded
Classics foretold? Contemporaneous and retrospective consecration in the UK film industry
Politics and Power in the Record Industry
Reissuing Alternative Music Heritages
Change and Continuity in Newspaper Coverage of Popular Music since 1955
Popular Music, Cultural Memory, and Heritage
Woodstock 2019
Towards a Popular Music Criticism of Replenishment
Talk of Heritage
The Production of Culture Perspective
The “Toilet Circuit”
Harmonizing Small-Group Cohesion and Status in Creative Collaborations
From institutionally embedded ‘serious’ to individualized ‘popular’
Social and symbolic boundaries in newspaper coverage of music, 1955–2005
The racial formation not taken
Intoxicators, educators, and gatekeepers
The grand opening? The transformation of the content of culture sections in European newspapers, 1960–2010
National Cultural Repertoires of Evaluation in a Global Age
Endogenous Selection Bias
Curating popular music heritage
Remembering the popular music of the 1990s
Talkin bout my generation
Mapping popular music heritage in Slovenia
Born in the Republic of Austria' The invention of rock heritage in Austria
Unauthorising popular music heritage
Popular music heritage, cultural memory and cultural identity
Cultural production and the morality of markets
Retrospective Consecration Beyond the Mainstream
Classifying Popular Music in the United States and the Netherlands
Introducing Aesthetics Into Status Analysis
Harmonizing Forms of Legitimacy in the Consecration of Popular Music
Reading difference
Posthumous consecration in rock's legitimating discourse
What's Next? Artists' Music after Grammy Awards
Heritage rock
From chart-topper to gold record
All that jazz
Uneven and combined consecration
Categorical ambiguity in cultural fields
The sincerest form of flattery
Commercialization and consecration
Gendered pathways to perpetual fame
The price of rhymes
Having the sceptre
Consecration as a Population-Level Phenomenon
Consecration and Materiality
Aesthetic Communities, Histories, and Retrospective Consecration
Reconceptualizing Aesthetic Cosmopolitanism
Walk the (Gendered and Racialized) Line
Pop-Rock Music as Expressive Isomorphism
Stitching the Social World
Dimensions of Conventionality and Innovation in Film
Signals in the Waves of Surf
Using Inverse Probability Weighting to Address Post-Outcome Collider Bias
When Market Information Constitutes Fields
Tournament Rituals in the Evolution of Fields
The field of cultural production
The field of Cultural Production
The Rise of a Jazz Art World
Popular Music and National Culture in Israel
The New Rolling Stone Record Guide
Cultural entrepreneurship in nineteenth-century Boston
Classification in Art
Organizing the musical canon
Intellectualization and Art World Development
Who does what with music videos in Israel
Critical Discourse and the Cultural Consecration of American Films
Resurrecting the Red
Reputational Entrepreneurs and the Memory of Incompetence
| Unique citing works | 70 |
|---|---|
| Citations per year | 3,33 |
| Citation span | 2005 - 2026 (22) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 69 |