The racial formation not taken
Occupational careers and the making of jazz album covers, 1950–1969
Bibliographic Data
| ID | 7960101 |
|---|---|
| Authors | Barış Büyükokutan (0000-0003-0187-3957, Koç University, corresponding author) |
| Year | 2024 |
| Volume | 102 |
| Pages | 101870 |
| Publication date | 2024-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.poetic.2024.101870 |
| OpenAlex | W4391693403 |
| Language | EN |
| References cited | 70 |
Art · Art history · Jazz · Sociology · Gender Studies · Music History and Culture · Musicology and Musical Analysis · Race, History, and American Society
White by Law
Economy and Society
Racial Formation in the Twenty-First Century
Life on the Wire
Racial Formation in the United States
The Rules of Art
The State Nobility
Racial remembering in urban politics
Social movement coalitions
Coalition‐building and the forging of solidarity across difference and inequality
Understanding Law and Race as Mutually Constitutive
Class Pictures
Exploiting Race in Drug Development
Different differences
The Hollywood Jim Crow
The Transformation of the Avant-Garde
Black Culture, Inc
Constructing ‘Race’ Across the Science-Lay Divide
Race and reflexivity
Affect and the sociology of race
Retrospective Consecration Beyond the Mainstream
Insiders, Outsiders, and the Struggle for Consecration in Cultural Fields
Contact Theory in a Small-Town Settler-Colonial Context
Representations of race and skin tone in medical textbook imagery
Incumbents, innovation, and competence
Harmonizing Forms of Legitimacy in the Consecration of Popular Music
Reading difference
From the Armory to academia
Arts participation as cultural capital in the United States, 1982-2002
Who is Multiracial? Assessing the Complexity of Lived Race
Toward a Theory of Cultural Appropriation
Race records" and "hillbilly music
Creative visions
Black cultural capitalists
All that jazz
Uneven and combined consecration
Playing both sides of the field
Why 1955? Explaining the advent of rock music
Toward an economic sociology of race
Reel Inequality
Class and the Color Line
Bound Together
Retrospective Cultural Consecration in Popular Music
Walk the (Gendered and Racialized) Line
American Music
Cinethetic Racism
Researching Race
Critical Discourse and the Cultural Consecration of American Films
A Critical and Comprehensive Sociological Theory of Race and Racism
Doing Race in the Context of Feminist Interviewing
All thePuertorriqueñidadthat's Fit to Print
The Ties Among the Notes
The Sociology of Discrimination
The Production of Culture Perspective
Artistic Labor Markets and Careers
Racial Formation in Perspective
Race and Genre Ambiguity in the Critical Reception of Popular Music
Discriminating Palates
Racial Fluidity and Inequality in the United States
American Character and the American Novel
"The cost of being "real
Does racial formation theory lack the conceptual tools to understand racism
Convergences and divergences in race theorizing
Rethinking racial formation theory
The racialization of privacy
| Citation velocity | historical |
|---|---|
| Highly cited | No |