The grand opening? The transformation of the content of culture sections in European newspapers, 1960–2010
Bibliographic Data
| ID | 7959996 |
|---|---|
| Authors | Semi Purhonen (0000-0002-4604-8670, Tampere University, corresponding author), Riie Heikkilä (0000-0002-0332-5981, Tampere University), Irmak Karademir‐hazır (0000-0003-1568-4612, Oxford Brookes University), Irmak Karademir Hazir |
| Year | 2017 |
| Volume | 62 |
| Pages | 29-42 |
| Publication date | 2017-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.poetic.2017.02.001 |
| OpenAlex | W2592438732 |
| Language | EN |
| Citations received | 15 |
| References cited | 55 |
Advertising · Business · Content analysis · Geography · Mainstream · Media studies · Newspaper · Openness to experience · Pace · Political science · Social science · Sociology · Statistics · Cultural Industries and Urban Development · Law · Mathematics · Music History and Culture · Psychology · Social and Cultural Dynamics · Social Psychology
Hacia una mayor apertura cultural? Un análisis de la cobertura de artículos sobre música en la prensa de referencia de cinco países europeos (1960-2010)
Beyond Aesthetics
Enter Culture, Exit Arts?
The Difference Culture Makes
The cultural journalist around the globe
Abundance or crisis? Transformations in the media ecology of Swedish cultural journalism over four decades
From evaluative authorities to involved narrators
Between legitimization and popularization
Stability and Change in the Style and Standards of European Newspapers' Arts Reviews, 1960–2010
Negotiating Boundaries in a Changing Media Ecosystem
Critics, politics and cultural legitimation
Live or recorded? Reassessing the “decline of the highbrow arts” debate using European newspaper data, 1960–2010
Sozialstruktur und Lebensstile
Cultural globalization on the printed page
To quote or not to quote? Critics' quotations in film advertisements as indicators of the continuing authority of film criticism
Content analysis
A sociology of contemporary cultural change
The Effectiveness of Random, Consecutive Day and Constructed Week Sampling in Newspaper Content Analysis
The field of cultural production
Cultural Mediators and Gatekeepers
Routledge International Handbook of the Sociology of Art and Culture
The field of Cultural Production
The Cultural Industries
Distinction
The crisis of journalism and the Internet
Globalization and Culture
Globalization and Culture
Making Tastes for Everything
Assimilation into the Literary Mainstream? The Classification of Ethnic Minority Authors in Newspaper Reviews in the United States, the Netherlands and Germany
Emerging Forms of Cultural Capital
Notions of popular culture in cultural policy
Understanding cultural taste
Change and Continuity in Newspaper Coverage of Popular Music since 1955
Mediating Europe
Social and symbolic boundaries in newspaper coverage of music, 1955–2005
High art, no art
Art journalism and cultural change
Cultural Globalization and Arts Journalism
Updating cultural capital theory
Distinction. A Social Critique of the Judgement of Taste
Cultural entrepreneurship in nineteenth-century Boston
Classification in Art
Understanding audience segmentation
Cultural production and the morality of markets
Hollywood Highbrow
Changing Highbrow Taste
Cultural sociology and new forms of distinction
Market logic and cultural consecration in French, German and American bestseller lists, 1970-2007
Arts participation as cultural capital in the United States, 1982-2002
How Macro-Historical Change Shapes Cultural Taste
Intellectualization and Art World Development
Fashion reporting in cross-national perspective 1955-2005
The rise and fall of highbrow snobbery as a status marker
Introduction-Cultural policy and the public funding of culture in an international perspective
Quality television' in the making
Problems in comparative research
Commercialization and consecration
Reconceptualizing Aesthetic Cosmopolitanism
Retrospective Cultural Consecration in Popular Music
Institutional Recognition in the Transnational Literary Field, 1955-2005
Dimensions of Conventionality and Innovation in Film
The Evaluation of Popular Music in the United States, Germany and the Netherlands
Reconceptualizing and Theorizing 'Omnivorousness
Signs of 'Emerging' Cultural Capital? Analysing Symbolic Struggles Using Class Specific Analysis
What Is Sociological about Music
Producing Artistic Value
The Legitimacy of Book Critics in the Age of the Internet and Omnivorousness
No More Need for Snobbism
| Unique citing works | 15 |
|---|---|
| Citations per year | 1,67 |
| Citation span | 2017 - 2026 (10) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 14 |