Social and symbolic boundaries in newspaper coverage of music, 1955–2005
Gender and genre in the US, France, Germany, and the Netherlands
Bibliographic Data
| ID | 7960102 |
|---|---|
| Authors | Vaughn Schmutz (Emory University, corresponding author) |
| Year | 2009 |
| Volume | 37 |
| Issue | 4 |
| Pages | 298-314 |
| Publication date | 2009-08-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.poetic.2009.06.006 |
| OpenAlex | W1982902718 |
| Language | EN |
| Citations received | 50 |
| References cited | 70 |
Art · Hierarchy · Legitimacy · Literature · Media studies · Musical · Newspaper · Political science · Politics · Popular music · Social hierarchy · Social science · Sociology · Symbolic interactionism · The Symbolic · Cultural Industries and Urban Development · Gender Studies · Law · Music History and Culture · Psychology · Social and Cultural Dynamics
Gender and Cultural Consecration in Popular Music
Classifications in Popular Music
Enter Culture, Exit Arts?
Philosophic Money. The Contemporary Art System as a Market and Cultural Agent
Facing the music
The emergence of promotional gatekeeping and converged local music professionals on social media
The musician’s personality
Gender and the Artist Archetype
(In)authenticity work
Der symbolische Wert der Popmusik. Zur Genese und Struktur des popmusikalischen Feldes
Rap, Race and the (Re)Production of Boundaries
She Still Works Hard for the Money
Change and Continuity in Newspaper Coverage of Popular Music since 1955
Talk of Heritage
The gendering power of genres
Collectors and Collections
The Stakes of Symbolic Boundaries
Race and Genre Ambiguity in the Critical Reception of Popular Music
Female bestsellers
From institutionally embedded ‘serious’ to individualized ‘popular’
Minor language and major responses in the field of popular music in Israel
Artistic referencing and emergent standards of peer recognition in Hollywood, 1930-2000
Writing by women or for women? Either way, You're less likely to be reviewed
The Matthew effect in art funding. How reputation affects an artist's chances of receiving government support
The grand opening? The transformation of the content of culture sections in European newspapers, 1960–2010
The Grant Proposal as a Genre. A Multiple Correspondence Analysis of Visual Artists and their Legitimations for Government Grants in Flanders, 1965–2015
What Is Sociological about Music
Walk the (Gendered and Racialized) Line
Classifying Popular Music in the United States and the Netherlands
Feature-Based Structures of Opportunity
From the Armory to academia
Follow the algorithm
The ties that conform
Unveiling music genre structure through common-interest communities
Ambivalence, indifference, distinction
Greek hip hop
Singing the romance
Amateurs online
Popular music, identity, and sexualization
Gendered patterns in music mediation
All that jazz
Neoliberal marketization of art worlds and status multiplexity
Making change in the kitchen? A study of celebrity cookbooks, culinary personas, and inequality
Categorical ambiguity in cultural fields
Commercialization and consecration
Quelling moral panics? The case of physician aid in dying in California
Musical Boundary-Work
Beyond Distinction
Legitimating Local Music
A Field Analysis of Cosmopolitan Taste
Rock and Sexuality
Music, Gender, Education
Music Genres and Corporate Cultures
Beethoven and the Construction of Genius
Media Legitimation Effects in the Market for Initial Public Offerings.
Legitimacy in Organizational Institutionalism
Talking Trash
The field of cultural production
Money, Morals, and Manners
Charting Gender
The field of Cultural Production
Globalization and Culture
Globalization and Culture
The Rise of a Jazz Art World
Sociology of Postmodernism
Gender and Cultural Consecration in Popular Music
When Creators, Corporations and Consumers Collide
Art journalism and cultural change
Cultural Globalization and Arts Journalism
How institutions think
The Sage Handbook of Organizational Institutionalism
Anything But Heavy Metal
Visual arts appreciation patterns
Of Disciplined Minds and Disciplined Bodies
Aesthetic Identity, Race, and American Folk Music
Organizing the musical canon
Event history analysis of authors' reputation
Changing Highbrow Taste
Auteur discourse and the cultural consecration of American films
The Institutionalization of Fame
Intellectualization and Art World Development
Race records" and "hillbilly music
Boundary processes
How a literacy work becomes a masterpiece
A general theory of artistic legitimation
Cultural education and the canon
Charting race
Problems in comparative research
Music into action
Gender differentiated effect of time in performing arts professions
Musical boundaries
Retrospective Cultural Consecration in Popular Music
Explaining the Global Digital Divide
Social Theory for a Changing Society
Consumer Culture and Postmodernism
Gender and Literary Valorization
Critical Discourse and the Cultural Consecration of American Films
The Evaluation of Popular Music in the United States, Germany and the Netherlands
When Women Play the Bass
Women and Men in Film
Rock Aesthetics and Musics of the World
Consumers and Consumption
The Study of Boundaries in the Social Sciences
Artistic Labor Markets and Careers
Music and the Global Order
Producing Artistic Value
Reputational Entrepreneurs and the Memory of Incompetence
Musical Patronage and Social Change in Beethoven's Vienna
Fame and Misfortune
The Categorical Imperative
A Cultural Field in the Making
| Unique citing works | 50 |
|---|---|
| Citations per year | 2,94 |
| Citation span | 2009 - 2024 (16) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 49 |