Categorical ambiguity in cultural fields
The effects of genre fuzziness in popular music
Bibliographic Data
| ID | 4330167 |
|---|---|
| Authors | Alex Van Venrooij (0000-0002-7027-4352, University of Amsterdam, corresponding author), Vaughn Schmutz (University of North Carolina at Charlotte) |
| Year | 2018 |
| Volume | 66 |
| Pages | 1-18 |
| Publication date | 2018-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.poetic.2018.02.001 |
| OpenAlex | W2790766719 |
| Language | EN |
| Citations received | 32 |
| References cited | 71 |
Ambiguity · Art · Categorical variable · Linguistics · Literature · Popular music · Pure mathematics · Sociology · Statistics · Cultural Industries and Urban Development · Mathematics · Music History and Culture · Philosophy · Psychology · Social and Cultural Dynamics · Social Psychology
The reluctant preference
Deconstructing the map of the paradigm struggle
A Meta-Analysis of Studies Examining the Effect of Music on Beliefs
Photographer-Artist or Artist-Photographer? The Permanence of Contestations in the Field of Art Photography in Italy
Mapping the material logic of a field
“Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content
Sounds like meritocracy to my ears
Black Rap, White Rock
Bridging nodes
Musical Relationships
A song for each moment
How does genre preference influence the importance of film marketing mix elements
Leveraging Youth
Writing by women or for women? Either way, You're less likely to be reviewed
Organizational identities of U.S. art museums and audience reactions
Retrospective Consecration Beyond the Mainstream
Artistic referencing and emergent standards of peer recognition in Hollywood, 1930-2000
Feature-Based Structures of Opportunity
Harmonizing Forms of Legitimacy in the Consecration of Popular Music
Posthumous consecration in rock's legitimating discourse
Pushing the boundaries
The ties that conform
What's Next? Artists' Music after Grammy Awards
The dual clustering of tastes and ties
The bookshelf's 'magic circle
Singing the romance
The techno-social reproduction of taste boundaries on digital platforms
Disperse and preserve the perverse
Formal studies of culture
Repertoire Communities in American Popular Music, 1900-1949
Race and Genre Ambiguity in the Critical Reception of Popular Music
Balancing Categorical Conventionality in Music
Institutions and organizations
The Institutional Logics Perspective
Music Genres and Corporate Cultures
The Demography of Corporations and Industries
Legitimacy in Organizational Institutionalism
Identities, Genres, and Organizational Forms
Two Sides of the Same Coin
The field of cultural production
The field of Cultural Production
Genres, Subgenres, Sub-Subgenres and More
Indie
The Logic of Practice
Dancing About Architecture
The musical field
Bourdieu, the media and cultural production
Concentration and Diversity Revisited
The Institutional Logics Perspective
Social and symbolic boundaries in newspaper coverage of music, 1955–2005
Intoxicators, educators, and gatekeepers
Post-Punk's attempt to democratise the music industry
Innovation and Diversity in the Popular Music Industry, 1969 to 1990
Classification in Art
The Iron Cage Revisited
Cycles in Symbol Production
The institutional foundation of a critic's connoisseurship
Tune in, fade out
The aesthetic discourse space of popular music
From affirmative action to outreach
Incumbents, innovation, and competence
Changing Highbrow Taste
Reading difference
Border Crossing
Multiple Category Memberships in Markets
Classification as Culture
Race records" and "hillbilly music
A general theory of artistic legitimation
Out of tune
Marketing, cultural hierarchy, and the relevance of critics
All that jazz
A community ecology of genres
Musical boundaries
The sincerest form of flattery
Re-examining the concept of the 'independent' record company
The rough guide to critics
Retrospective Cultural Consecration in Popular Music
Social Context and Musical Content of Rap Music, 1979-1995
Social Differentiation in Musical Taste Patterns
The Semantic Equation
Legitimacy as a Social Process
The Production of Culture Perspective
What Is Sociological about Music
Partiality of Memberships in Categories and Audiences
Producing Artistic Value
All Hits Are Flukes
The Fabrication of Meaning
The Population Ecology of Organizations
Processing Fads and Fashions
The Categorical Imperative
| Unique citing works | 32 |
|---|---|
| Citations per year | 4 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 32 |