The sincerest form of flattery
Innovation, repetition, and status in an art movement
Bibliographic Data
| ID | 4330132 |
|---|---|
| Authors | Jennifer C Lena (0009-0000-2535-0523, Barnard College, corresponding author), Mark C Pachucki (0000-0002-7855-2433, University of California, Berkeley) |
| Year | 2013 |
| Volume | 41 |
| Issue | 3 |
| Pages | 236-264 |
| Publication date | 2013-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.poetic.2013.02.002 |
| OpenAlex | W2018783013 |
| Language | EN |
| Citations received | 34 |
| References cited | 77 |
Aesthetics · Art · Autonomy · Convention · Creativity · Empirical research · Epistemology · Flattery · Novelty · Operationalization · Political science · Popularity · Social science · Sociology · Cultural Industries and Urban Development · Law · Psychology · Social and Cultural Dynamics · Social Psychology · Wine Industry and Tourism
The art of influence
Empreendedorismo cultural e artístico
Come Together, Right Now? An Empirical Study of Collaborations in the Music Industry
Contextualisation devices
Innovation and creativity in creative industries
Destructive creation, creative destruction, and the paradox of innovation science
(In)authenticity work
The foundation and transformation of the Turkish rap field (2002-2023)
Innovation and Diversity Redux
Making It in a Cover Music Scene
Harmonizing Small-Group Cohesion and Status in Creative Collaborations
Publishers, authors, and texts
Artistic movement membership and the career profiles of Canadian painters
Artistic referencing and emergent standards of peer recognition in Hollywood, 1930-2000
Trend accommodation in heteronomous fields
Harmonizing Forms of Legitimacy in the Consecration of Popular Music
Art Theory for (Neuro)Scientists
The ties that conform
What's Next? Artists' Music after Grammy Awards
What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music
Creative visions
Networks and Artistic Status Orders in Cultural Fields
Mainstreaming French rap music. Commodification and artistic legitimation of othered cultural goods
Neoliberal marketization of art worlds and status multiplexity
Categorical ambiguity in cultural fields
When Disney came to Broadway
Formal studies of culture
The price of rhymes
Communities of Style
Weird Music
Looking Back, Looking Forward
Balancing Categorical Conventionality in Music
Companies and the Rise of Economic Thought
Seeing the market
Canvases and careers
Identity designs
Theories of society
The Emergence of Organizations and Markets
Spectacular Vernaculars
Music Genres and Corporate Cultures
Creating Country Music
Fixed Effects Regression Models
The structure of scientific collaboration networks
The field of cultural production
Careers in the right beat
Distinction
The Reflexive Turn
The Rules of Art
Autonomy Guaranteed? Cultural Work and the “Art–Commerce Relation”
Concentration and Diversity Revisited
Social Foundations of National Anthems
Distinction. A Social Critique of the Judgement of Taste
Cultural entrepreneurship in nineteenth-century Boston
Patterns of Intention. On the Historical Explanation of Pictures
Innovation and Diversity in the Popular Music Industry, 1969 to 1990
Classification in Art
Globalization and cultural diversity in the book market
Cycles in Symbol Production
Between art and money
Airshafts, Loudspeakers, and the Hip Hop Sample
Incumbents, innovation, and competence
Changing Highbrow Taste
Classifying quality
The Structure of a Social Science Collaboration Network
Cycles in symbol production? A new model to explain concentration, diversity and innovation in the music industry
Managing Laboratory Work through Skepticism
Multiple Category Memberships in Markets
How Cultural Tastes Shape Personal Networks
Classification as Culture
Intellectualization and Art World Development
A general theory of artistic legitimation
The strength of weak culture
Side-roads to success
Charting race
Problems in comparative research
Meaning and membership
All that jazz
Singing the gospel
Cultural entrepreneurs, cultural entrepreneurship
The Fine Art of Rap
Accounting for Taste
Retrospective Cultural Consecration in Popular Music
Social Context and Musical Content of Rap Music, 1979-1995
Black Noise
The Complexity of Trust-Control Relationships in Creative Organizations
Critical Discourse and the Cultural Consecration of American Films
Higher, Faster, Louder
Legitimacy as a Social Process
The Production of Culture Perspective
Artistic Labor Markets and Careers
Measuring Meaning Structures
Cultural Holes
Jazz and the Disconnected
Democracy versus Distinction
Collaboration and Creativity
Robust Identities or Nonentities? Typecasting in the Feature-Film Labor Market
Forms of Capital and Social Structure in Cultural Fields
All Hits Are Flukes
Recognition and Renown
The Population Ecology of Organizations
A Cultural Field in the Making
Fine tuning the Zelizer view
| Unique citing works | 34 |
|---|---|
| Citations per year | 2,62 |
| Citation span | 2013 - 2026 (14) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 33 |