Aesthetic Communities, Histories, and Retrospective Consecration
Bibliographic Data
| ID | 3757604 |
|---|---|
| Authors | Vaughn Schmutz (University of North Carolina at Charlotte, Charlotte, NC, USA, corresponding author), Timothy J Dowd (0000-0002-6739-4433, Emory University, Atlanta, GA, USA) |
| Year | 2021 |
| Volume | 65 |
| Issue | 1 |
| Pages | 3-8 |
| Publication date | 2021-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | American Behavioral Scientist (JOURNAL) |
| Journal identifiers | ISSN: 0002-7642 • E-ISSN: 1552-3381 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0002764220919139 |
| OpenAlex | W3032812961 |
| Language | EN |
| References cited | 27 |
In this introduction to the special issue "Retrospective cultural consecration: The dynamics of remembering and forgetting," we briefly sketch prior work and new developments in research on aesthetic communities and their collectively constructed histories. Such histories often involve the retrospective consecration of a select few exemplars. Contributors to this special issue examine the dynamics by which aesthetic communities remember as well as forget their past. In doing so, the articles address three intertwined themes in processes of consecration: aesthetic hierarchy, aesthetic mobility, and aesthetic evaluation
Aesthetics · Archaeology · Art · Cognitive psychology · Consecration · Dynamics (music) · Forgetting · Hierarchy · Political science · Sketch · Sociology · Computer Science · Contemporary Sociological Theory and Practice · History · Law · Management and Organizational Studies · Psychology · Social and Cultural Dynamics
The field of cultural production
The Rise of a Jazz Art World
Gender and Cultural Consecration in Popular Music
Legitimate judgment in art, the scientific world reversed? Maintaining critical distance in evaluation
Talk of Heritage
Intragenerational Variations in Autobiographical Memory
Publishers, authors, and texts
Cultural Globalization and Arts Journalism
The Scholar Denied
Classification in Art
Organizing the musical canon
Reading difference
From the Armory to academia
Arts participation as cultural capital in the United States, 1982-2002
Art at the crossroads
What is a "cantautore?" Distinction and authorship in Italian (popular) music
A general theory of artistic legitimation
Constructing an artistic field as a political project
Objects, Words, and Bodies in Space
Retrospective Cultural Consecration in Popular Music
Discourse and Display
Critical Discourse and the Cultural Consecration of American Films
Resurrecting the Red
The Evaluation of Popular Music in the United States, Germany and the Netherlands
Producing Artistic Value
Musical Patronage and Social Change in Beethoven's Vienna
| Citation velocity | historical |
|---|---|
| Highly cited | No |