Tradition, Innovations, and Modernity in the Music of the Edo of Nigeria

Toward a Theory of Progressive Traditionalism

Bibliographic Data

ID2734937
AuthorsAustin Emielu (Kwara State University, Malete, Nigeria, corresponding author)
Year2018
Volume62
Issue2
Pages206-229
Publication date2018-07-01
Open AccessNo
TypeARTICLE
VenueEthnomusicology (JOURNAL)
Journal identifiersISSN: 0014-1836 • E-ISSN: 2156-7417
PublisherUniversity of Illinois Press (PUBLISHER • US)
DOI10.5406/ethnomusicology.62.2.0206
OpenAlexW2800305559
LanguageEN
Citations received10
References cited14

For a long time, African traditional music was seen as fixed and rigid, while the popular was allowed headroom for innovations-notions that continue to be challenged by current scholarship. This article further challenges this notion of rigidity and fixity by using a focused study of the Edo of Nigeria to demonstrate in very specific ways how dance bands are redefining traditional music through innovations in ways that articulate progressive traditionalism. Because much of so-called African popular music developed from indigenous roots and shows evidence of the interpenetration of the old and the new, this article proceeds to problematize the traditional/popular binary, proposing in its stead a theory of progressive traditionalism as a way to understand the continuous modernization of indigenous African music, as well as the continuous indigenization of imported foreign music and musical resources

Aesthetics · Epistemology · Humanities · Modernity · Social science · Sociology · Traditionalism · Asian Culture and Media Studies · Philippine History and Culture · Philosophy · Theater, Performance, and Music History

Tools

Open DOI