Bi-Musicality as Metaphor
Bibliographic Data
| ID | 2789320 |
|---|---|
| Authors | Jeff Todd Titon, Jeff Todd Tıton (corresponding author) |
| Year | 1995 |
| Volume | 108 |
| Issue | 429 |
| Pages | 287 |
| Publication date | 1995-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of American Folklore (JOURNAL) |
| Journal identifiers | ISSN: 0021-8715 • E-ISSN: 1535-1882 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.2307/541882 |
| OpenAlex | W2466936585 |
| Language | EN |
| Citations received | 17 |
Plaidoyer en faveur de la bi-musicalite qui permet non seulement de savoir jouer deux types de musique distincts mais aussi de mieux comprendre le sens de la musique, la creation musicale de tout autre groupe musical, communautaire, culturel. Cette bi-musicalite conduit parfois a un transfert de sujet (« subject shift ») : une personne se met dans la peau d'une autre
Art · Linguistics · Literature · Metaphor · Musical · Musicality · Cultural Identity and Heritage · Cultural Insights and Digital Impacts · Philosophy
SamBop NYC
“You just nod and pin and sew and let them do their thing”
Musings on ethnomusicology, interdisciplinarity, intradisciplinarity, and decoloniality
Blended Modes of Music Learning
Virtual and Reciprocal Ethnography on the Internet
Ecology, Phenomenology, and Biocultural Thinking
Experience and Fieldwork
Local Bimusicality among London's Freelance Musicians
“Paying Dues” and “Carrying Flags”
Narratives of versatility
The bi-musical subject
Louder and Faster
Bi-musicality in modern Japanese culture
Working with Tradition
Forming a Collaborative Relationship between an Applied Researcher and the Researched Subject in Contemporary Taiwan
Adaptations, Code-Switching, and Novelty With Cultural Integrity
Enfrentando poetas, perseguindo peixes
| Unique citing works | 17 |
|---|---|
| Citations per year | 0,71 |
| Citation span | 2002 - 2025 (24) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 9 |