Hillbilly Music Re-imagined
Folk and Country Music in the Midwest
Bibliographic Data
| ID | 2807861 |
|---|---|
| Authors | Paul L Tyler (corresponding author) |
| Year | 2014 |
| Volume | 127 |
| Issue | 504 |
| Pages | 159-190 |
| Publication date | 2014-04-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of American Folklore (JOURNAL) |
| Journal identifiers | ISSN: 0021-8715 • E-ISSN: 1535-1882 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.5406/jamerfolk.127.504.0159 |
| OpenAlex | W2039462516 |
| Language | EN |
| Citations received | 1 |
| References cited | 15 |
Beginning in the 1960s, country music scholarship focused on the hillbilly image to advance a sectional claim to represent the history of the genre. In fact, the earlier institutionalization of country music, particularly in radio broadcasts, emerged from a wider swath of regional and ethnic folk music. Here the hillbilly is re-imagined to encompass a larger pool of folk musicians whose practices resided beyond the control of the musical establishment of the 1920s
Acoustics · Art · Country · Folk music · Folk song · Institutionalisation · Literature · Music of India · Musical · Political science · Popular music · Scholarship · History · Law · Music History and Culture · Race, History, and American Society · Theater, Performance, and Music History
Country Music, U. S. A
Country Music Records
Old Time Music in Northern Wisconsin
Geographic Sectionalism in American History
Radio and Personal Appearances
Country Music Sources
Exploring Roots Music
Hillbilly Music Re-imagined
An Introduction to the Study of Hillbilly Music
Hillbilly Music
The Stars of Country Music
| Citations per year | 0.08 |
|---|---|
| Citation span | 2014 - 2014 (1) |
| Highly cited | No |