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Coplas de Todos Santos in Cochabamba

Language, Music, and Performance in Bolivian Quechua Song Dueling

Bibliographic Data

ID2821785
AuthorsThomas Solomon (0000-0001-7266-6547, corresponding author)
Year1994
Volume107
Issue425
Pages378
Publication date1994-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of American Folklore (JOURNAL)
Journal identifiersISSN: 0021-8715 • E-ISSN: 1535-1882
PublisherUniversity of Illinois Press (PUBLISHER • US)
DOI10.2307/541690
OpenAlexW2333709296
LanguageES
Citations received8
References cited12

Analyse de l'interpretation des chansons-duels quechua du departement bolivien de Cochabamba lors de la Toussaint a Mizque. Apres une discussion sur la maniere dont la structure melodique aide l'interprete dans son improvisation textuelle, l'A. decrit comment les chanteurs re-creent leurs propres programmes et attentes a travers l'improvisation des « coplas » durant la performance. Il montre, a travers une opposition entre jeunes interpretes masculins et femmes âgees, que ces pratiques construisent les idees culturelles de base concernant le comportement approprie des groupes sociaux. Une analyse reussie de la signification des duels verbaux et chantes necessite l'ethnographie de la performance en relation avec les vies quotidiennes des participants

Linguistics · History · Linguistics and Discourse Analysis · Literary and Cultural Studies · Media, Communication, and Education · Philosophy

  • The Art of Dueling with Words

    Open Access•Valentina Pagliai•Oral tradition•2009

  • Dueling Landscapes

    Thomas Solomon•Ethnomusicology•2000

  • Character, Narrator, and Simile in the Iliad

    Jonathan L Ready•Character, Narrator, and Simile…•2011

  • Stanzas and Sticks

    Open Access•Matthias Röhrig Assunção•History Workshop Journal•2014

  • Der Singstreit in humanethologischer Perspektive

    Open Access•Christian Lehmann, Lorenz Welker et al.•Musicae Scientiae•2008

  • Siren songs

    Jonathan Ritter•British Journal of Ethnomusicology•2002

  • Affective motivations for borrowing

    Open Access•Anna Babel•Language & Communication•2016

  • Conflict, Cooperation, and Facework inContrastoVerbal Duels

    Open Access•Valentina Pagliai•Journal of Linguistic Anthropology•2010

  • A discourse-centered approach to culture

    Greg Urban•A discourse-centered approach to…•1991

  • Verbal Dueling in Chamula

    Gary H Gossen•Speech Play•1976

  • The Chilean Verso

    Juan A Orrego-Salas, Juan Orrego-Salas•Hispanic American Historical Review•1969

  • Covert Categories and Folk Taxonomies

    Open Access•BRENT BERLIN DENNIS E BREEDLOVE, Peter H Raven•American Anthropologist•1968

  • Popular song and popular grammar, poetry and metalanguage

    Bruce Mannheim•WORD•1986

  • Homo ludens

    Johan Huizinga•Homo Ludens•2008

  • "The Charango and the "Sirena

    Thomas Turino•Latin American Music Review•1983

  • Metadiscursive Practices and Scholarly Authority in Folkloristics

    Charles L Briggs•Journal of American Folklore•1993

  • Performance and Honor in 13th-Century Iceland

    Richard Bauman•Journal of American Folklore•1986

  • The Strategy of Turkish Boys' Verbal Dueling Rhymes

    Alan Dundes, Jerry W Leach et al.•Journal of American Folklore•1970

  • Cantometrics

    David Locke, Alan Lomax•Ethnomusicology•1981

  • Hainteny, the Traditional Poetry of Madagascar

    Laura Arnston Harris, Leonard Fox•African Studies Review•1991

Unique citing works8
Citations per year0,31
Citation span2000 - 2016 (17)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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