Coplas de Todos Santos in Cochabamba
Language, Music, and Performance in Bolivian Quechua Song Dueling
Bibliographic Data
| ID | 2821785 |
|---|---|
| Authors | Thomas Solomon (0000-0001-7266-6547, corresponding author) |
| Year | 1994 |
| Volume | 107 |
| Issue | 425 |
| Pages | 378 |
| Publication date | 1994-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of American Folklore (JOURNAL) |
| Journal identifiers | ISSN: 0021-8715 • E-ISSN: 1535-1882 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.2307/541690 |
| OpenAlex | W2333709296 |
| Language | ES |
| Citations received | 8 |
| References cited | 12 |
Analyse de l'interpretation des chansons-duels quechua du departement bolivien de Cochabamba lors de la Toussaint a Mizque. Apres une discussion sur la maniere dont la structure melodique aide l'interprete dans son improvisation textuelle, l'A. decrit comment les chanteurs re-creent leurs propres programmes et attentes a travers l'improvisation des « coplas » durant la performance. Il montre, a travers une opposition entre jeunes interpretes masculins et femmes âgees, que ces pratiques construisent les idees culturelles de base concernant le comportement approprie des groupes sociaux. Une analyse reussie de la signification des duels verbaux et chantes necessite l'ethnographie de la performance en relation avec les vies quotidiennes des participants
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| Unique citing works | 8 |
|---|---|
| Citations per year | 0,31 |
| Citation span | 2000 - 2016 (17) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 6 |