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Cultural Policy and Film Industry as Negotiation of Power

The Chinese State's Role and Strategies in its Engagement with Global Hollywood 1994-2012

Bibliographic Data

ID2869279
AuthorsWendy Su (University of California at Riverside, Riverside, USA, September 2013, corresponding author)
Year2014
Volume87
Issue1
Pages93-114
Publication date2014-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePacific Affairs (JOURNAL)
Journal identifiersISSN: 0030-851X • E-ISSN: 1715-3379
PublisherPacific Affairs (PUBLISHER)
DOI10.5509/201487193
OpenAlexW2333449107
LanguageEN
Citations received20

This article explores the global-local interplay by analyzing the changing role of the Chinese state and its evolving cultural policy during its engagement with global Hollywood from 1994 to 2012. It further investigates the impact of the state policy on the formation of a domestic film industry. Drawing on both Englishand Chinese-language sources and combining both primary and secondary empirical data, the article examines local strategies and resistance toward global Hollywood, and argues for the Chinese state’s adaptive and negotiation capability that serves to reverse the power relationship in international communication. The state employs a strategy of taking advantage of Hollywood resources to build the domestic film industry in order to promote Chinese soft power. Therefore, by weaving both market forces and global capital into the state mechanism, the Chinese state effectively reinforces its authoritarian power

Advertising · Art · Art history · Business · Cultural industry · Economics · Economy · Film industry · Hollywood · Media studies · Movie theater · Negotiation · Political economy · Political science · Power (physics) · Sociology · State (computer science) · Visual arts · Computer Science · Cultural Industries and Urban Development · Law

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Unique citing works20
Citations per year2
Citation span2016 - 2026 (11)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 19

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