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Travelling home(s)

Contemporary Korean art after the postcolonial

Bibliographic Data

ID2928708
AuthorsMichelle Bae-Dimitriadis (0000-0003-0930-3094, Buffalo State University, corresponding author), Michelle Bae, Greg Dimitriadis (University at Buffalo, State University of New York)
Year2015
Volume36
Issue3
Pages314-328
Publication date2015-05-27
Open AccessYes
TypeARTICLE
VenueDiscourse Studies in the Cultural Politics of Education (JOURNAL)
Journal identifiersISSN: 0159-6306 • E-ISSN: 1469-3739
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01596306.2014.901786
OpenAlexW2054519281
LanguageEN
Citations received1
References cited10

Contemporary discussions of globalisation (in general) and postcolonialism (more specifically) have largely remained wed to critiques of the West, including around its outsized role in the proliferation of neoliberal economic logics. As Chen argues in Asia as Method, these discussions have precluded other kinds of discussions about globalisation and its ‘theories’ – those that are generated between Asian countries and peoples (recognising that ‘Asia’ itself is a construction). In this essay, we look towards a different kind of conversation about the postcolonialism, one that does not take the West as its primary interlocutor. We will look closely at two South Korean contemporary artists – Do Ho Suh (1962–) and Kimsooja (1957–) – and see how they work through contemporary, material concerns around ‘home’ and ‘place’. In particular, these artists point us towards ‘movement’ as a trope for displacing extant concerns with fixed identity and as a kind of ontological state of being in the world

Aesthetics · Art · Art history · Contemporary art · Conversation · Extant taxon · Globalization · Literature · Performance art · Political science · Sociology · Asian Culture and Media Studies · Cultural Industries and Urban Development · Gender Studies · History · Japanese History and Culture · Law

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Citations per year0.09
Citation span2015 - 2015 (1)
Highly citedNo

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