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Machinic assemblages

Women, Art Education and Space

Bibliographic Data

ID2936769
AuthorsMaria Tamboukou (0000-0002-6380-4415, University of East London, corresponding author)
Year2008
Volume29
Issue3
Pages359-375
Publication date2008-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueDiscourse Studies in the Cultural Politics of Education (JOURNAL)
Journal identifiersISSN: 0159-6306 • E-ISSN: 1469-3739
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01596300802259129
OpenAlexW1982833542
LanguageEN
Citations received22
References cited21

In this paper I explore connections between women, art education and spatial relations drawing on the Deleuzo-Guattarian concept of machinic assemblage as a useful analytical tool for making sense of the heterogeneity and meshwork of life narratives and their social milieus. In focusing on Mary Bradish Titcomb, a fin-de-siècle Bostonian woman who lived and worked in the interface of education and art, moving in between differentiated series of social, cultural and geographical spaces, I challenge an image of narratives as unified and coherent representations of lives and subjects; at the same time I am pointing to their importance in opening up microsociological analyses of deterritorializations and lines of flight. What I argue is that an attention to space opens up paths for an analytics of becomings, and enables the theorization of open processes, multiplicities and nomadic subjectivities in the field of gender and education

Aesthetics · Art · Geography · Literature · Narrative · Sociology · Anthropology · Art Education and Development · Diversity and Impact of Dance · Gender Studies · Participatory Visual Research Methods

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Unique citing works22
Citations per year1,22
Citation span2008 - 2025 (18)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 19

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