Rebel Girls and Consequence in Life Is Strange and The Walking Dead

Bibliographic Data

ID2954375
AuthorsMahli-Ann Rakkomkaew Butt, Mahli-Ann Butt (0000-0002-3890-5935, The University of Sydney, corresponding author), Daniel Dunne (0000-0003-1511-9488, Swinburne University of Technology)
Year2019
Volume14
Issue4
Pages430-449
Publication date2019-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGames and Culture (JOURNAL)
Journal identifiersISSN: 1555-4120 • E-ISSN: 1555-4139
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1555412017744695
OpenAlexW2794287150
LanguageEN
Citations received6
References cited28

The presence of women within videogames has progressed to a state where narratives about the empowerment of women are becoming popular; however, such games still invite a number of gendered stereotypes. Housed in the genre of adventure games, The Walking Dead: Season Two and Life Is Strange appear to follow in the spirit of this emerging women's revolution but inevitably reestablish traditional presentations of sexism in the treatment of their endings. In particular, the presentation of the infamous Trolley Problem and its inherent utilitarian framework is an incendiary moment wherein these games mark rebellious women as necessary sacrifices for the greater good and the continuation of the community. This article explores these two specific moments of sacrifice at the conclusions of Life Is Strange and The Walking Dead: Season Two and engages with tensions between the status quo and the resistances that challenges these norms

Adventure · Aesthetics · Art · Empowerment · Literature · Narrative · Political science · Presentation (obstetrics · Sacrifice · Sociology · Status quo · Digital Games and Media · Gender Studies · Gender, Feminism, and Media · Gothic Literature and Media Analysis · History · Law · Psychology

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