Civil Sphere Values and Moral Responsibility in Cultural Production
The Curation of Music Festivals Today
Bibliographic Data
| ID | 2967535 |
|---|---|
| Authors | Jo Haynes (0000-0002-7462-8859, University of Bristol, corresponding author), Ian Woodward (0000-0003-2870-5822, University of Southern Denmark) |
| Year | 2024 |
| Volume | 20 |
| Issue | 1 |
| Pages | 96-112 |
| Publication date | 2024-08-07 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cultural Sociology (JOURNAL) |
| Journal identifiers | ISSN: 1749-9755 • E-ISSN: 1749-9763 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/17499755241265423 |
| OpenAlex | W4401435289 |
| Language | EN |
| Citations received | 3 |
| References cited | 33 |
Music festivals are a ubiquitous aspect of music economies and wider processes of cultural participation and community regeneration. They are now sites for exploring wider issues related to the environment, inequality, diversity and representation. Whereas contemporary literature productively draws on and reworks classical categories such as ritual, excess, and carnivalesque to frame the significance and meaning of music festivals, it has yet to coherently address how civil sphere values such as democracy, solidarity and justice are incorporated into their design and curation. In this article, focusing on the curatorial strategies of festival organisers, we examine the narratives and practices through which music festivals frame wider social issues as part of the event's ethos. Drawing on interview data with festival organisers located in Britain and Denmark, our analysis indicates how moral and civil values are internalised as an important discourse of festival curation and the practical management of music festivals. A fundamental requirement is that curators produce events that are both economically and culturally sustainable as well as resonating with important social and cultural issues. The major analytical contribution of this article is to identify and address this central tension faced by music festivals around balancing cultural, economic and civil values within their events. Applying the conceptual resources of civil sphere theory, we point to an alternative way of thinking about what constitutes the music festival today
Civil society · Cultural values · Economics · Environmental ethics · Media studies · Political science · Politics · Social science · Sociology · Cultural Industries and Urban Development · Law · Music History and Culture · Philosophy · Social and Cultural Dynamics
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Banding Together
Celebration
The International Recording Industries
‘Getting in’ or ‘moving on’? On internship experiences and representation in the popular music festival sector
The Pop Festival
The Time of the Tribes
Civil society events
The Cultural Public Sphere
The work of culture and C-19
Woodstock 2019
Already existing’ sustainability experiments
Carnival, Sexual Violence and Harm at Australian Music Festivals
Culture and the Arts
Interaction Ritual Chains
Reluctant entrepreneurs
Curating popular music
The Societalization of Social Problems
We can't just put any belly-dancer into the program
A Maximal Understanding of Sacrifice
How Does an Aesthetic Object Happen? Emergence, Disappearance, Multiplicity
Civil Sphere Values and Moral Responsibility in Cultural Production
The Elementary Forms of Religious Life
Accounting For the Limited Success of #MeToo in the Popular Music and Stand-Up Comedy Industries
Weird Music
Music Worlds and Internal Goods
The Fate of the Dramatic in Modern Society
Civic Action
| Unique citing works | 3 |
|---|---|
| Citations per year | 1,5 |
| Citation span | 2024 - 2026 (3) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 2 |