Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Civil Sphere Values and Moral Responsibility in Cultural Production

The Curation of Music Festivals Today

Bibliographic Data

ID2967535
AuthorsJo Haynes (0000-0002-7462-8859, University of Bristol, corresponding author), Ian Woodward (0000-0003-2870-5822, University of Southern Denmark)
Year2024
Volume20
Issue1
Pages96-112
Publication date2024-08-07
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCultural Sociology (JOURNAL)
Journal identifiersISSN: 1749-9755 • E-ISSN: 1749-9763
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/17499755241265423
OpenAlexW4401435289
LanguageEN
Citations received3
References cited33

Music festivals are a ubiquitous aspect of music economies and wider processes of cultural participation and community regeneration. They are now sites for exploring wider issues related to the environment, inequality, diversity and representation. Whereas contemporary literature productively draws on and reworks classical categories such as ritual, excess, and carnivalesque to frame the significance and meaning of music festivals, it has yet to coherently address how civil sphere values such as democracy, solidarity and justice are incorporated into their design and curation. In this article, focusing on the curatorial strategies of festival organisers, we examine the narratives and practices through which music festivals frame wider social issues as part of the event's ethos. Drawing on interview data with festival organisers located in Britain and Denmark, our analysis indicates how moral and civil values are internalised as an important discourse of festival curation and the practical management of music festivals. A fundamental requirement is that curators produce events that are both economically and culturally sustainable as well as resonating with important social and cultural issues. The major analytical contribution of this article is to identify and address this central tension faced by music festivals around balancing cultural, economic and civil values within their events. Applying the conceptual resources of civil sphere theory, we point to an alternative way of thinking about what constitutes the music festival today

Civil society · Cultural values · Economics · Environmental ethics · Media studies · Political science · Politics · Social science · Sociology · Cultural Industries and Urban Development · Law · Music History and Culture · Philosophy · Social and Cultural Dynamics

  • Carnival in Tijuana

    Open Access•Nancy Rios-Contreras, Chenesia Brown•Cultural Sociology•2026

  • Organizing abundance and shuffling at festivals

    Open Access•Piero Ferri, Paolo Ferri et al.•Poetics•2025

  • Civil Sphere Values and Moral Responsibility in Cultural Production

    Open Access•Jo Haynes, Ian Woodward•Cultural Sociology•2024

  • The Civil Sphere in East Asia

    Open Access•Jeffery Alexander, David Palmer et al.•Civil Sphere in East Asia•2019

  • Banding Together

    Jennifer C Lena•Banding Together•2012

  • Celebration

    Victor Witter Turner•Celebration•1982

  • The International Recording Industries

    Lee Marshall•The international recording…•2012

  • ‘Getting in’ or ‘moving on’? On internship experiences and representation in the popular music festival sector

    Open Access•Britt Swartjes, Pauwke Berkers•British Journal of Education & Work•2023

  • The Pop Festival

    George Mckay•The Pop Festival•2015

  • The Time of the Tribes

    Michel Maffesoli•The Time of the Tribes•1996

  • Civil society events

    Open Access•Sebastiano Citroni•European Journal of Cultural and…•2020

  • The Cultural Public Sphere

    Open Access•Jim Mcguigan•European Journal of Cultural…•2005

  • The work of culture and C-19

    Open Access•Mark Banks•European Journal of Cultural…•2020

  • Woodstock 2019

    Andy Bennett•Popular Music & Society•2019

  • Already existing’ sustainability experiments

    Open Access•Alison L Browne, Tatiana Jack et al.•Geoforum•2019

  • Carnival, Sexual Violence and Harm at Australian Music Festivals

    Open Access•Phillip Wadds, Bianca Fileborn et al.•The British Journal of Criminology•2022

  • Culture and the Arts

    Open Access•Sophia Krzys Acord, Tia Denora•The Annals of the American…•2008

  • Interaction Ritual Chains

    Randall Collins•Interaction Ritual Chains•2004

  • Reluctant entrepreneurs

    Open Access•Jo Haynes, L Marshall•British Journal of Sociology•2018

  • Curating popular music

    Open Access•Chris Atton•Popular Music•2014

  • The Societalization of Social Problems

    Open Access•Jeffrey C Alexander•American Sociological Review•2018

  • We can't just put any belly-dancer into the program

    Ivana Rapoš Božič, Ivana Raposova•New Community•2019

  • A Maximal Understanding of Sacrifice

    Open Access•Philip Smith, Florian Stoll•Religions•2021

  • How Does an Aesthetic Object Happen? Emergence, Disappearance, Multiplicity

    Open Access•Varvara Kobyshcha, Варвара Кобыща•Cultural Sociology•2018

  • Civil Sphere Values and Moral Responsibility in Cultural Production

    Open Access•Jo Haynes, Ian Woodward•Cultural Sociology•2024

  • The Elementary Forms of Religious Life

    Emile Durkheim, Carol Cosman et al.•The Elementary Forms Of Religious…•2009

  • Accounting For the Limited Success of #MeToo in the Popular Music and Stand-Up Comedy Industries

    Open Access•Chris Worden, Anna Gjika•Cultural Sociology•2023

  • Weird Music

    Open Access•Whitney Johnson, W Chris Johnson•Cultural Sociology•2017

  • Music Worlds and Internal Goods

    Open Access•N Crossley, Wendy Bottero•Cultural Sociology•2015

  • The Fate of the Dramatic in Modern Society

    Open Access•Jeffrey C Alexander•Theory Culture & Society•2014

  • Civic Action

    Paul Lichterman, Nina Eliasoph•American Journal of Sociology•2014

Unique citing works3
Citations per year1,5
Citation span2024 - 2026 (3)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 2

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae