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Putting a Face to a Name

Visualising Human Rights

Bibliographic Data

ID2989603
AuthorsMackie (0000-0003-3390-6522, University of Wollongong, corresponding author), Vera Mackie
Year2014
Volume20
Issue1
Publication date2014-03-19
Open AccessYes
TypeARTICLE
VenueCultural Studies Review (JOURNAL)
Journal identifiersISSN: 1446-8123 • E-ISSN: 1837-8692
PublisherUniversity of Technology, Sydney (UTS) (PUBLISHER)
DOI10.5130/csr.v20i1.3065
OpenAlexW1978246919
LanguageEN
Citations received4
References cited5

In this essay, I focus on a text which attempts to deal with human rights issues in an accessible media format, Kälin, Müller and Wyttenbach's book, The Face of Human Rights. I am interested in this text as an attempt to translate between different modes of communicating about human rights, which we might call the academic mode, the bureaucratic mode, the activist mode and the popular media mode. There are significant gaps between the academic debates on human rights, the actual language and protocols of the bodies devoted to ensuring the achievement of basic human rights, the language of activists, and the ways in which these issues are discussed in the media. These issues are compounded in a transnational frame where people must find ways of communicating across differences of language and culture. These problems of communicating across difference are inherent to the contemporary machinery of the international human rights system, where global institutions of governance are implicated in the claims of individuals who are located in diverse national contexts. Several commentators have noted the importance of narrative in human rights advocacy, while others have explored the role of art. I am interested in analysing narrative and representational strategies, from a consciousness that texts work not only through vocabulary and propositional content, but also through discursive positioning. It is necessary to look at the structure of texts, the contents of texts, and the narrative strategies and discursive frameworks which inform them. Similar points can be made about photography, which must be analysed in terms of the specific representational possibilities of visual culture

Art · Bureaucracy · Face (sociological concept · Human rights · Linguistics · Literature · Media studies · Narrative · Political science · Politics · Social science · Sociology · Vocabulary · Historical and Contemporary Political Dynamics · Law · Law in Society and Culture

  • “I feel I am at the stage now of really learning something”

    Open Access•Matevž Tomšič, Mary Tomsic•Australian Journal of Politics &…•2019

  • Premature Memorials to the United Nations Human Rights Program

    Roland Burke, Roland Burke Roland Burke•History and Memory•2016

  • Transcultural Memory and the Troostmeisjes/Comfort Women Photographic Project

    Katharine Mcgregor, Katharine McGregor Katharine McGregor et al.•History and Memory•2018

  • Happiness again’

    Matevž Tomšič•The History of the Family•2017

  • Human Rights and Narrated Lives

    Open Access•Kay Schaffer, Sidonie Smith•Human Rights and Narrated Lives•2004

  • Theatre and Human Rights

    Gary English, Gary M English•Theatre and Human Rights•2024

  • The ‘Afghan Girls’

    Mackie•Continuum•2012

  • Principles, Publicity, and Politics

    Open Access•Meg Mclagan•American Anthropologist•2003

  • Under Western Eyes

    Chandra Mohanty, Chandra Talpade Mohanty•Feminist Review•1988

Citations per year0.4
Citation span2016 - 2019 (4)
Highly citedNo

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