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Many a Footnote and Afterword

Dubravka Ugrešić and the Essay

Bibliographic Data

ID3022973
AuthorsTéa Rokolj (0000-0002-6043-6098, University of Ottawa, corresponding author)
Year2018
Volume4
Issue1
Publication date2018-06-07
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueOpen Library of Humanities (JOURNAL)
Journal identifiersISSN: 2056-6700 • E-ISSN: 2056-6700
PublisherOpen Library of the Humanities (PUBLISHER)
DOI10.16995/olh.202
OpenAlexW2806499209
LanguageEN
Citations received1
References cited11

A widely translated author, and a prominent voice from post-communist Europe, Dubravka Ugrešić has published a variety of literary forms in addition to literary criticism and translations. Playful experimentation with language, boundaries between texts, and literary conventions as well as an acute awareness of the contemporary socio-political context in which her own texts come to be are among the notable features of her writing. It is her essays, however, that invite a closer look at the interstices between the author and the narrator, the world and the text(s). From her early-1990s essays that were critical of the nationalist discourses of former Yugoslavia and which precipitated her exile through her more recent writing that engages with broader political and cultural questions, Ugrešić has come to embody a public intellectual and transnational writer. I argue that her choice of the essay as the literary form allows her to transcend these two identities, however fluid, and provides her with discursive authority and agency. Cognizant of its legacy and its expressive possibilities, Ugrešić continuously revisits the essay, and, at times, moves it into the realm of theoretical fiction. I shall focus on Ugrešić’s more recent work – the essays from Karaoke Culture, Europe in Sepia and Peščanik

Aesthetics · Art · Communism · Criticism · Literary criticism · Literature · Nationalism · Political science · Politics · Realm · Social science · Sociology · Balkans: History, Politics, Society · Eastern European Communism and Reforms · History · Law · Philosophy · Translation Studies and Practices

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    Open Access•Téa Rokolj•Open Library of Humanities•2018

  • Storming the Eu Fortress

    Nataša Kovačević•Cultural Critique•2013

  • Europe in Sepia

    Vedrana Velickovic•Wasafiri•2014

  • Writing Europe

    Open Access•Máiréad Nic Craith•Social Anthropology•2009

  • Yugoslavia, an 'Almost Forbidden Word' Cultural policy in times of nationalism-interview with Dubravka Ugresic

    Nataša Kovačević, Nataša Žunić Kovačević•Women & Performance a journal of…•2007

  • Art, as Device

    Viktor Shklovsky, Alexandra Berlina•Poetics Today•2015

  • F-Words

    Rachel Blau Duplessis•American Literature•1996

  • Many a Footnote and Afterword

    Open Access•Téa Rokolj•Open Library of Humanities•2018

Unique citing works1
Citations per year0,13
Citation span2018 - 2018 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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