Between art and anthropology
Contemporary ethnographic practice
Bibliographic Data
| ID | 3039100 |
|---|---|
| Authors | Kathryn Ramey (0000-0002-3537-0111, Emerson College, corresponding author) |
| Year | 2011 |
| Volume | 26 |
| Issue | 3 |
| Pages | 271-272 |
| Publication date | 2011-11-01 |
| Open Access | No |
| Type | REVIEW |
| Review of | Between Art and Anthropology: Contemporary Ethnographic Practice, A Schneider, 2021 |
| Venue | Visual Studies (JOURNAL) |
| Journal identifiers | ISSN: 1472-586X • E-ISSN: 1472-5878 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/1472586x.2011.610954 |
| OpenAlex | W2062748017 |
| Language | EN |
Anthropology of art · Art · Art history · Contemporary art · Digital anthropology · Ethnography · Sociology · Visual anthropology · Anthropology · Cultural Heritage Management and Preservation · Cultural Identity and Heritage · Cultural Industries and Urban Development
Disciplined Aesthetics
‘Through the lens of ethnography’
Making the unfamiliar personal
Evoking Imaginaries
The Artist asChiffonnier
The Olive Pickers
Introduction: Audio Work: Labor, Value, and the Making of Musical Aesthetics
Media, Indigeneity and Nation in South Asia
Creativity in arts and sciences
Art and Participation
Contemporary Art
The Anthropologist as Ensemble Member
Exploring Materiality and Connectivity in Anthropology and Beyond
Across Anthropology
Pauses and flow in art making and ethnographic research
Symmetrical ethnography
Improvisation and Social Aesthetics
Improvisation and Social Aesthetics
‘I went there to live’
Visual Storytelling about Genocide, Displacement, and Exile
The ethnographic turn - and after
Assembling the natural and the supernatural in Thai independent cinema
Art
The artist Karl Marx and the auctioned god
The Skinscape
Skeletal (in-)visibilities in the city – Rootless
Antropologías del arte en tiempo presente
The Politics and Aesthetics of Non-Representation
Site-specificity and dislocation
Prisms of the abstract
Situating Graphic Anthropology
Art, ethnography and practice-led research
The rhetorical turn in contemporary art and ethnography
Transnational Pride, Global Closets and Regional Formations of Screen Activism
Visual ethnographies of displacement and violence
Making sense
Exploring the Links of Contemporary Art and Anthropology
Doing Home Works
Organising complexities
Revisiting the ethnographic turn in contemporary art
Whose portrait is it
Drawing flies
Locating art practice in the British Tamil Diaspora
Rebecca Horn
Dreamwork, art worlds and miracles in Malaysia
Teaching Anthropology to Artists
Etnograafilised välitööd kunsti peeglis
Morabeza , cash or body
What is the meaning of a safety-pin?’ Critical literacies and the ethnographic turn in contemporary art
Exploring methodological innovation in the social sciences
Co‐playwriting between screens
In Galleries and Beer Cans
What is contemporary anthropology
Contested grounds
Woundscapes
Resounding Participatory Ethnography
Doing Masculinity
Art and anthropology for a sustainable world
Adopted heritage
The 'Floating Herstories' Sound Project
What Marco Polo Forgot
The Rotten Renaissance in the Bering Strait
A Traveling Ethnography of Voice in Qualitative Research
Dissonance
The Bellwether Ewe
Soil Fictions
Making Matrice
The misperception of the environment
Science/Art/Culture Through an Oceanic Lens
Reconsidering the vignette as method
Ethnographic Terminalia
Swamped
Sampling as ethnographic method/remixing Gulu City
Prototyping and Contemporary Anthropological Experiments With Ethnographic Method
"A instalação etnográfica "As Mulheres e a Fibra
An Anthropology of Landscape
University Museums as Laboratories for Experiential Learning and Engaged Practice
Crisis’ as Art
Uma História que se pode tocar
Multimodality
The Choreography of Gender in Traditional Vietnamese Music
Anthropology with a Paintbrush
Sonic ethnography
The Anthropology of Art, After the End of Art
The Sensible Life of Return
Remains of the Soviet Past in Estonia
Multisensory Anthropology
| Highly cited | No |
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