À margem da capital
A gravadora indie Hey, Pachuco! como revitalizadora cultural e social do Barreiro
Bibliographic Data
| ID | 3063357 |
|---|---|
| Authors | Luiz A Moura (0000-0002-4839-0576, corresponding author) |
| Year | 2021 |
| Volume | 22 |
| Issue | 58 |
| Publication date | 2021-12-20 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | ILUMINURAS (JOURNAL) |
| Journal identifiers | ISSN: 1984-1191 • E-ISSN: 1984-1191 |
| Publisher | Universidade Federal do Rio Grande do Sul (PUBLISHER • BR) |
| DOI | 10.22456/1984-1191.120979 |
| OpenAlex | W4205176429 |
| Language | PT |
| References cited | 16 |
À margem da capital: A gravadora indie Hey, Pachuco! como revitalizadora cultural e social do Barreiro
Art · Capital (architecture · Humanities · Indie film · Media studies · Political science · Social capital · Social science · Sociology · Visual arts · Cultural, Media, and Literary Studies · Urban Development and Societal Issues · Youth, Politics, and Society
Rock culture in Liverpool
The field of cultural production
The Production of Culture
‘Just can’t go to sleep’
(Anti)Tédio Boys
Music Scenes
Systems of articulation, logics of change
Popular music scenes and aging bodies
Local Identity and Independent Music Scenes, Online and Off
Poor, But Sexy
Live music and urban landscape
The Sociology of Youth Culture and Youth Subcultures
Consolidating the music scenes perspective
Bubbles, Tracks, Borders and Lines
Subcultural identity in alternative music culture
Conceptualising the Relationship Between Youth, Music and DIY Careers
| Citation velocity | historical |
|---|---|
| Highly cited | No |