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This manifesto proposes to study situations where objects from globalized Pop culture are accidentally discarded and then reappropriated by communities in particular localities. Beyond the analysis of simple reuse, it postulates is that the friction between industrial events and the imaginaries of popular culture helps to illuminate the decay of the infrastructures that distribute them, thanks to communities that document these situations through situated narratives. This article proposes the term “Zombie Props” to qualify these artifacts, which are mediated by local actors as souvenir objects of landscapes that have borne the full brunt of globalization, and are falling in ruin

Political science · Healthcare Systems and Practices · Medicine · Philosophy