A Prolegomenon to the Visual Language of Dance in Gandhāra

Bibliographic Data

ID3160295
AuthorsAshwini Lakshminarayanan (0000-0003-4077-5110, École Française d'Extrême-Orient, corresponding author)
Year2024
Volume15
Issue8
Pages895
Publication date2024-07-25
Open AccessYes
TypeARTICLE
VenueReligions (JOURNAL)
Journal identifiersISSN: 2077-1444 • E-ISSN: 2077-1444
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/rel15080895
OpenAlexW4400982887
LanguageEN
References cited15

Pre-modern Indian subcontinent provides a treasure trove of art historical data in the form of stone sculptures and reliefs to study dance. While significant steps towards understanding the literary and visual language of dance have been made, artistic production from Gandhāra (the ancient region broadly covering the northwestern part of the subcontinent) largely remains absent in scholarly discussions. Ancient Gandhāra readily lends itself to a global approach as an active participant alongside the so-called ancient Silk Roads connecting the Mediterranean regions with China. Furthermore, as part of the Buddhist pilgrimage routes, Gandhāra also developed ties with Buddhist sites located further east and participated in the spread of Buddhism to China. Within this context, this article discusses the most common dance depicted in Gandhāran art to understand how artists represented dance in the static medium. Using this dance as an illustration, this article also argues that the iconographic conventions of the Gandhāran artistic repertoire for dance are shared outside the region, notably in Kizil, which is located alongside the northern branch of the Silk Roads

Ancient history · Archaeology · Art · Buddhism · China · Dance · Indian subcontinent · Sculpture · Treasure · Visual arts · Chinese history and philosophy · Eurasian Exchange Networks · History · Indian and Buddhist Studies

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