Animals hidden in plain sight
Stereoscopic recording of Palaeolithic rock art at La Pasiega cave, Cantabria
Bibliographic Data
| ID | 3170016 |
|---|---|
| Authors | Raquel Asiaín (Universidad Complutense de Madrid, corresponding author), Roberto Ontañón (0000-0002-0504-3961, Universidad de Cantabria), Pedro Saura (Universidad Complutense de Madrid) |
| Year | 2023 |
| Volume | 97 |
| Issue | 395 |
| Pages | 1084-1099 |
| Publication date | 2023-10-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Antiquity (JOURNAL) |
| Journal identifiers | ISSN: 0003-598X • E-ISSN: 1745-1744 |
| Publisher | Antiquity Publications (PUBLISHER) |
| DOI | 10.15184/aqy.2023.122 |
| OpenAlex | W4385953944 |
| Language | EN |
| Citations received | 2 |
| References cited | 16 |
Cantabrian cave art is familiar from photographs reproduced in textbooks, but these two-dimensional images do not capture the irregularities of the rock surfaces on which animals and other designs were painted or engraved. Here, the authors use stereoscopic photography to review the parietal art of La Pasiega cave. By documenting the uneven surfaces of the cave's walls alongside painted and engraved marks, they identify new animal figures and reinterpret others, previously thought to be partial representations, as complete. The results show the positioning of animal figures to make use of concave/convex surfaces and rock edges to define the outlines of animals, reinforcing the need to record and interpret cave art three-dimensionally
Archaeology · Art · Cave · Cave painting · Geography · Iconography · Photography · Rock art · Stereoscopy · Visual arts · 3D Surveying and Cultural Heritage · Archaeology and Rock Art Studies · Artificial Intelligence · Computer Science · Geology · Pleistocene-Era Hominins and Archaeology
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Response to White et al.’s reply
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| Citations per year | 2 |
|---|---|
| Citation span | 2026 - 2027 (2) |
| Highly cited | No |