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The Sacred Music and Dance of Haitian Vodou from Temple to Stage and the Ethics of Representation

Bibliographic Data

ID3202121
AuthorsLois Wilcken (City Lore, a center for folk arts in New York City, corresponding author)
Year2005
Volume32
Issue1
Pages193-210
Publication date2005-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLatin American Perspectives (JOURNAL)
Journal identifiersISSN: 0094-582X • E-ISSN: 1552-678X
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0094582x04271880
OpenAlexW2030456547
LanguageEN
Citations received2
References cited11

true and at the same time quite remarkable about the Vodou, wrote Moreau de Saint-Mery (1958 [1797]: 68, my translation), is the kind of force that induces those present to dance to insensibility. ... Without doubt in order to the fears that this mysterious cult inspires in the colony, [the blacks] pretend to dance it in public, to the sound of the drums and the clapping of hands. ... But I guarantee that it all the more a calculated move to escape the of the authorities and even more to ensure the success of the meetings. Moreau's eyewitness tableaux describe both Vodou and its first public representations in the Americas. The struggle that was about to explode in revolution and the situation of the sacred in that struggle are implicit in such phrases as calm the fears, vigilance of the authorities, and secret meetings. Knowing that Vodou troubled the tranquility of those in power, the faithful raised representational smoke screens in public arenas. Since Moreau's time, outsiders have also represented Vodou in literature, theater, film, and scholarship, for the most part denying Vodouists the opportunity and the capacity to contest those representations. What are the moral and political meanings and consequences of this denial? How must we

Aesthetics · Ancient history · Art · Art history · Dance · Political science · Politics · Representation (politics) · Sociology · Stage (stratigraphy) · Temple · Visual arts · Anthropological Studies and Insights · Caribbean and African Literature and Culture · History · Law · Philosophy · Religious studies · Vietnamese History and Culture Studies

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  • Authentic Voodoo Is Synthetic

    Michelle Anderson•The Drama Review TDR•1982

  • Belair, Port-au-Prince

    Open Access•Michel S Laguerre, Michel Laguerre•The Journal of Latin American and…•1976

  • Ainsi parla l'oncle

    Jean Price-Mars•Ainsi parla l'oncle•2009

  • On Ethnographic Authority

    J Clifford•Representations•1983

Unique citing works2
Citations per year0,33
Citation span2020 - 2024 (5)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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