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Lois Wilcken

Biographic Data

ID684221
NAMELois Wilcken
GIVEN NAMESLois
FAMILY NAMEWilcken
SIGNATUREWILCKEN L
AFFILIATIONSCity Lore, a center for folk arts in New York City
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS2
AUTHOR COUNT17
EDITOR COUNT0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Men sa lanmè di / Ainsi parla la mer (Thus spoke the sea) by Arnold Antonin (review)

    Lois Wilcken•ARTICLE•Journal of Haitian studies•2023

    Reviewed by: Men sa lanmè di / Ainsi parla la mer (Thus spoke the sea) by Arnold Antonin Lois Wilcken Men sa lanmè di/Ainsi parla la mer (Thus spoke the sea). Film by Arnold Antonin. Pétion-Ville, Haiti: Centre Pétion-Bolivar. 50 minutes. Freely available on YouTube (Arnold Antonin Haiti Films): https://www.youtube.com/watch?v=PSoO48p2udQ (French subtitles), https://www.youtube.com/watch?v=UmbubMN4b4w (English subtitles). Arnold Antonin's stunnin…

  • Marasa: A Special Issue and a Working Group for the Environment

    Legrace Benson, Lois Wilcken•ARTICLE•Journal of Haitian studies•2023

    This special issue on Haiti's environment and a recently created working group within the Haitian Studies Association (HSA) share a birth year: 2020. The pair had their conception during HSA's 2016 conference in Cap-Haïtien, "Haiti's Eco-systems: Focus on Environmental Realities and Hopes." The meeting in Cap-Haïtien demonstrated a significant interest in the environment of Haiti and its challenges. Members responded to the call with papers, pane…

  • Ecological Wisdom in the Marvelous Realism of Vodou (by way of Jacques Stéphen Alexis)

    Lois Wilcken•ARTICLE•Journal of Haitian studies•2023

    For three days Père Osmin's escort of parishioners and police rooted through the village of Fonds-Parisien near the Haitian shore of Lake Azuéi, driven by a fevered mission to destroy every temple that served Haiti's ancestral spirits. Along the way they puzzled over the sanctuaries for the ancestors and the spirits of Africa, now empty of their diabolic (to them) accoutrements. The anguished cries of nocturnal birds in broad daylight disquieted …

  • After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti, by Rebecca Dirksen

    Open Access•Lois Wilcken•ARTICLE•New West Indian Guide / Nieuwe…•2021

  • Latino music

    Michael Birenbaum Quintero, Jason Stanyek et al.•CHAPTER•The new Grove dictionary of music…•2014

  • Caribbean and Atlantic Diaspora Dance: Igniting Citizenship

    Lois Wilcken•ARTICLE•Ethnomusicology•2013

  • Belle Ayiti: Mizik Savant Ayisyen (Beautiful Haiti: Haitian Classical Music)

    Lois Wilcken•ARTICLE•Journal of American Folklore•2011

  • Caribbean Journeys: An Ethnography of Migration and Home in Three Family Networks

    Lois Wilcken•ARTICLE•The Oral History Review•2010

  • Vodou Nation: Haitian Art Music and Cultural Nationalism (review)

    Lois Wilcken•ARTICLE•Latin American Music Review•2007

  • The Sacred Music and Dance of Haitian Vodou from Temple to Stage and the Ethics of Representation

    Open Access•Lois Wilcken•ARTICLE•Latin American Perspectives•2005•Cited by: 1•References: 6

    true and at the same time quite remarkable about the Vodou, wrote Moreau de Saint-Mery (1958 [1797]: 68, my translation), is the kind of force that induces those present to dance to insensibility. ... Without doubt in order to the fears that this mysterious cult inspires in the colony, [the blacks] pretend to dance it in public, to the sound of the drums and the clapping of hands. ... But I guarantee that it all the more a calculated move to esca…

  • Music of the World

    Lois E Wilcken, Lois Wilcken et al.•ARTICLE•Ethnomusicology•1997

  • Caribbean Revels: Haitian Rara and Dominican Gaga

    Lois E Wilcken, Lois Wilcken et al.•ARTICLE•Ethnomusicology•1996

  • Benin: Rhythmes et chants pour les vodun

    Lois E Wilcken, Lois Wilcken et al.•ARTICLE•Ethnomusicology•1995

  • Power, Ambivalence, and the Remaking of Haitian Vodoun Music in New York

    Lois E Wilcken, Lois Wilcken•ARTICLE•Latin American Music Review•1992

    Lois E. Wilcken, Power, Ambivalence, and the Remaking of Haitian Vodoun Music in New York, Latin American Music Review / Revista de Música Latinoamericana, Vol. 13, No. 1 (Spring - Summer, 1992), pp. 1-32

  • Musique du vaudou: Fonctions, Structures, Et Styles

    Lois E Wilcken, Lois Wilcken et al.•ARTICLE•Latin American Music Review•1989

  • Divine Horsemen: The Living Gods of Haiti

    Lois E Wilcken, Lois Wilcken et al.•REVIEW•Ethnomusicology•1986•Cited by: 1

  • Haitian Song . 1982. Produced by Erzulie Films , and directed by Karen Kramer

    Open Access•Lois E Wilcken, Lois Wilcken•ARTICLE•American Anthropologist•1982

  • The Sacred Music and Dance of Haitian Vodou from Temple to Stage and the Ethics of Representation

    Open Access•Lois Wilcken•ARTICLE•Latin American Perspectives•2005•Cited by: 1•References: 6

    true and at the same time quite remarkable about the Vodou, wrote Moreau de Saint-Mery (1958 [1797]: 68, my translation), is the kind of force that induces those present to dance to insensibility. ... Without doubt in order to the fears that this mysterious cult inspires in the colony, [the blacks] pretend to dance it in public, to the sound of the drums and the clapping of hands. ... But I guarantee that it all the more a calculated move to esca…

  • Divine Horsemen: The Living Gods of Haiti

    Lois E Wilcken, Lois Wilcken et al.•REVIEW•Ethnomusicology•1986•Cited by: 1

  • Haitian Song . 1982. Produced by Erzulie Films , and directed by Karen Kramer

    Open Access•Lois E Wilcken, Lois Wilcken•ARTICLE•American Anthropologist•1982

  • Divine Horsemen: The Living Gods of Haiti

    Lois E Wilcken, Lois Wilcken et al.•REVIEW•Ethnomusicology•1986•Cited by: 1

  • Musique du vaudou: Fonctions, Structures, Et Styles

    Lois E Wilcken, Lois Wilcken et al.•ARTICLE•Latin American Music Review•1989

  • Power, Ambivalence, and the Remaking of Haitian Vodoun Music in New York

    Lois E Wilcken, Lois Wilcken•ARTICLE•Latin American Music Review•1992

    Lois E. Wilcken, Power, Ambivalence, and the Remaking of Haitian Vodoun Music in New York, Latin American Music Review / Revista de Música Latinoamericana, Vol. 13, No. 1 (Spring - Summer, 1992), pp. 1-32

  • Benin: Rhythmes et chants pour les vodun

    Lois E Wilcken, Lois Wilcken et al.•ARTICLE•Ethnomusicology•1995

  • Caribbean Revels: Haitian Rara and Dominican Gaga

    Lois E Wilcken, Lois Wilcken et al.•ARTICLE•Ethnomusicology•1996

  • Music of the World

    Lois E Wilcken, Lois Wilcken et al.•ARTICLE•Ethnomusicology•1997

  • The Sacred Music and Dance of Haitian Vodou from Temple to Stage and the Ethics of Representation

    Open Access•Lois Wilcken•ARTICLE•Latin American Perspectives•2005•Cited by: 1•References: 6

    true and at the same time quite remarkable about the Vodou, wrote Moreau de Saint-Mery (1958 [1797]: 68, my translation), is the kind of force that induces those present to dance to insensibility. ... Without doubt in order to the fears that this mysterious cult inspires in the colony, [the blacks] pretend to dance it in public, to the sound of the drums and the clapping of hands. ... But I guarantee that it all the more a calculated move to esca…

  • Vodou Nation: Haitian Art Music and Cultural Nationalism (review)

    Lois Wilcken•ARTICLE•Latin American Music Review•2007

  • Caribbean Journeys: An Ethnography of Migration and Home in Three Family Networks

    Lois Wilcken•ARTICLE•The Oral History Review•2010

  • Belle Ayiti: Mizik Savant Ayisyen (Beautiful Haiti: Haitian Classical Music)

    Lois Wilcken•ARTICLE•Journal of American Folklore•2011

  • Caribbean and Atlantic Diaspora Dance: Igniting Citizenship

    Lois Wilcken•ARTICLE•Ethnomusicology•2013

  • Latino music

    Michael Birenbaum Quintero, Jason Stanyek et al.•CHAPTER•The new Grove dictionary of music…•2014

  • After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti, by Rebecca Dirksen

    Open Access•Lois Wilcken•ARTICLE•New West Indian Guide / Nieuwe…•2021

  • Men sa lanmè di / Ainsi parla la mer (Thus spoke the sea) by Arnold Antonin (review)

    Lois Wilcken•ARTICLE•Journal of Haitian studies•2023

    Reviewed by: Men sa lanmè di / Ainsi parla la mer (Thus spoke the sea) by Arnold Antonin Lois Wilcken Men sa lanmè di/Ainsi parla la mer (Thus spoke the sea). Film by Arnold Antonin. Pétion-Ville, Haiti: Centre Pétion-Bolivar. 50 minutes. Freely available on YouTube (Arnold Antonin Haiti Films): https://www.youtube.com/watch?v=PSoO48p2udQ (French subtitles), https://www.youtube.com/watch?v=UmbubMN4b4w (English subtitles). Arnold Antonin's stunnin…

  • Marasa: A Special Issue and a Working Group for the Environment

    Legrace Benson, Lois Wilcken•ARTICLE•Journal of Haitian studies•2023

    This special issue on Haiti's environment and a recently created working group within the Haitian Studies Association (HSA) share a birth year: 2020. The pair had their conception during HSA's 2016 conference in Cap-Haïtien, "Haiti's Eco-systems: Focus on Environmental Realities and Hopes." The meeting in Cap-Haïtien demonstrated a significant interest in the environment of Haiti and its challenges. Members responded to the call with papers, pane…

  • Ecological Wisdom in the Marvelous Realism of Vodou (by way of Jacques Stéphen Alexis)

    Lois Wilcken•ARTICLE•Journal of Haitian studies•2023

    For three days Père Osmin's escort of parishioners and police rooted through the village of Fonds-Parisien near the Haitian shore of Lake Azuéi, driven by a fevered mission to destroy every temple that served Haiti's ancestral spirits. Along the way they puzzled over the sanctuaries for the ancestors and the spirits of Africa, now empty of their diabolic (to them) accoutrements. The anguished cries of nocturnal birds in broad daylight disquieted …

Art (12 works) · Caribbean and African Literature and Culture (11 works) · History (8 works) · Political science (5 works) · Sociology (5 works) · Visual arts (5 works) · Cuban History and Society (4 works) · Geography (4 works) · Aesthetics (3 works) · Art history (3 works)

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