Power, Ambivalence, and the Remaking of Haitian Vodoun Music in New York
Bibliographic Data
| ID | 3979836 |
|---|---|
| Authors | Lois E Wilcken, Lois Wilcken (corresponding author) |
| Year | 1992 |
| Volume | 13 |
| Issue | 1 |
| Pages | 1 |
| Publication date | 1992-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/780060 |
| OpenAlex | W2798222829 |
| Language | EN |
| Citations received | 4 |
| References cited | 1 |
Lois E. Wilcken, Power, Ambivalence, and the Remaking of Haitian Vodoun Music in New York, Latin American Music Review / Revista de Música Latinoamericana, Vol. 13, No. 1 (Spring - Summer, 1992), pp. 1-32
Aesthetics · Ambivalence · Art · Art history · Physics · Psychoanalysis · Sociology · Visual arts · Caribbean and African Literature and Culture · Caribbean history, culture, and politics · Cuban History and Society · Psychology
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 1998 - 2020 (23) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |