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Daddy's Rabbit Stew

Bibliographic Data

ID3205747
AuthorsAlyss Dixson (corresponding author)
Year2012
Volume35
Issue4
Pages873-874
Publication date2012-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCallaloo (JOURNAL)
Journal identifiersISSN: 0161-2492 • E-ISSN: 1080-6512
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/cal.2013.0003
OpenAlexW1975187570
LanguageEN
Citations received1

Daddy’s Rabbit Stew Alyss Dixson (bio) I sit on your lap as you unzip a rabbit from its skin Your blade down the centerline, flaying You pull down the fur like Mom peels off pantyhose, wet from rain I imagine myself divested, like the rabbit, free. Your blade still moves down my centerline, flays me Years will pass, I will feel that blade, those cuts, gutting me I will try to imagine myself divested, free Try to peel my organs—those wet, slick marbles—strip their sacks Years will pass, still that blade, those cuts Heart, lungs: I roll them until they pop, and bleed, ulcerate I peel them, these slick marbles, strip them Of memory, the way you snapped tendons from bone Heart and lungs rolled until they ulcerate, bleed, pop Trap me in a buck-toothed mask: leporid. Gird me. Empty my bed You: snapped, like tendons, like bones; Me: casting and re-casting the ivory lengths My leporid mask girds me. Empties me Still, I peel, I strip, I gut myself to the bones Cast, re-cast, cast, re-cast. Grieve. My childhood a skin I struggle to make new. Peel, strip, gut, tender My heart to your arrivals and departures Re-make a childhood. Re-member: The cold always hugging your skin, layering ice between us My heart: Your arrivals. Your departures. Slicing like wind and steel: pain. That night, cold hugged your skin, layered ice between us I am left disarticulated, game-y with need [End Page 873] Me: like wind, steel, pain. These memories slicing through my life: You pull down the fur like Mom peels off pantyhose, wet from rain Me, disarticulated from love, a-stew, game-y with need as I sit on your lap as you unzip a rabbit from its skin [End Page 874] Alyss Dixson Alyss Dixson, an Oregon native, has worked in different venues in the film industry—at New Line, as assistant; at Rat Entertainment, as Head of Film Development and Production; and at Paramount Pictures, as Vice-President of Production, Worldwide. She has worked on the production of such films as Money Talks, Rush Hour 1 & 2, Family Man, Paid in Full, and Double Take. Copyright © 2013 The Johns Hopkins University Press

Art · Bleed · Ice cream · Visual arts · American Sports and Literature · Chemistry · Earthquake and Disaster Impact Studies · Educational Leadership and Practices · Medicine · Anatomy · Geology

  • Author and Title Index to Callaloo Volume 35 (Whole Numbers 130–133)

    Kathryn B Karasek, Hannah Sears•Callaloo•2012

Unique citing works1
Citations per year0,07
Citation span2012 - 2012 (1)
Citation velocityhistorical
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae