Author and Title Index to Callaloo Volume 35 (Whole Numbers 130–133)
Bibliographic Data
| ID | 7699667 |
|---|---|
| Authors | Kathryn B Karasek, Hannah Sears |
| Year | 2012 |
| Volume | 35 |
| Issue | 4 |
| Pages | 1131-1137 |
| Publication date | 2012-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Callaloo (JOURNAL) |
| Journal identifiers | ISSN: 0161-2492 • E-ISSN: 1080-6512 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/cal.2013.0039 |
| OpenAlex | W2054460471 |
| Language | EN |
| References cited | 79 |
Author and Title Index to Callaloo Volume 35 (Whole Numbers 130–133) Kathryn B. Karasek and Hannah Sears By Author Aje, Jide. “Aladire 2007–B,” Art, 35.3 (Summer 2012): Front Cover; “Artist’s Statement” Nonfiction, 35.3 (Summer 2012): 748; Interview, Vievee Francis, 35.3 (Summer 2012): 753–757; “Portfolio,” Art, 35.3 (Summer 2012): 749–752; “Pupa, dudu ati funfun #1,” Art, 35.3 (Summer 2012): Back Cover. Allen, Jessica L. “Pringle’s Pruning of Prince: The History of Mary Prince and the Question of Repetition,” Article, 35.2 (Spring 2012): 509–519. Antonucci, Michael A. “’Til Death or Distance Do Us Part: Love and Marriage in African America by Frances Smith Foster,” Review, 35.2 (Spring 2012): 558–561. Arbino, Daniel. “Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse by Valérie Loichot,” Review, 35.2 (Spring 2012): 543–545. Arce, B. Christine. “La Negra Angustias: The Mulata in Mexican Literature and Cinema,” Article, 35.4 (Fall 2012): 1085–1102. Avant, A.H. Jerriod. “Telling Question,” Poetry, 35.4 (Fall 2012): 875–880. Bayeza, Ifa. “The Ballad of Emmett Till,” Drama, 35.3 (Summer 2012): 641–730; “These Conversations Are Long Overdue,” Interview, Corey D. B. Walker, 35.3 (Summer 2012): 731–746. Boggs, Nicholas. “A Grammar of Little Manhood: Ralph Ellison and the Queer Little Man at Chehaw Station,” Article, 35.1 (Winter 2012): 245–266. Bollinger, Heidi E. “Neo-Segregation Narratives: Jim Crow in Post-Civil Rights American Literature by Brian Norman,” Review, 35.3 (Summer 2012): 812–815. Borman, David. “Extending the Diaspora: New Histories of Black People by Dawne Y. Curry, Eric D. Duke, and Marshanda A. Smith, eds.,” Review, 35.3 (Summer 2012): 825–827. Botkin, Frances R. “Revising the Caribbean: ‘Three-Fingered Jack’ and the Jamaican Pantomime,” Article, 35.2 (Spring 2012): 494–508. Brown, Iona Rozeal. “Commonalities,” Art, 35.4 (Fall 2012): Back Cover; “Untitled (after Kikugawa Eizan’s “Furyu nana komachi” ‘The Modern Seven Komashi’),” Art, 35.4 (Fall 2012): Front Cover. Cannon, Sarita. “Color: Essays on Race, Family, and History by Kenneth McClane,” Review, 35.3 (Summer 2012): 810–812. Cassells, Cyrus. “The Bottle Tree,” Poetry, 35.1 (Winter 2012): 17; “Caesars and Dreamers,” Poetry, 35.1 (Winter 2012): 18–19. Colarusso, Andrew E. “The Agonist,” Poetry, 35.3 (Summer 2012): 581–583; “Keeley’s Fog,” Poetry, 35.3 (Summer 2012): 580. Connell, Lisa. “Education, Assimilation and Identity: The Literary Journey of the French Caribbean by Marie Léticée,” Review, 35.2 (Spring 2012): 546–548. Corbin, Laurie. “The Voicing of Desire: the Quest for History in Heremakhonon and The Women of Tijucopapo,” Article, 35.2 (Spring 2012): 425–441. Danticat, Edwidge. “In the Old Days,” Fiction, 35.2 (Spring 2012): 355–363. Davis, Thadious M. “Olympia Vernon’s Children of Opinion,” Article, 35.1 (Winter 2012): 120–133. Derricotte, Toi. “Andante Tenemarente,” Poetry, 35.2 (Spring 2012): 321; “Billie in Frankfurt,” Poetry, 35.2 (Spring 2012): 319–320; “Magnificat,” Poetry, 35.2 (Spring 2012): 322; “May Your Days Go by in Beauty & Wonder,” Poetry, 35.2 (Spring 2012): 323. Dickson, Foster. “The South That Wasn’t There: Postsouthern Memory and History by Michael Kreyling,” Review, 35.3 (Summer 2012): 818–820. Dixson, Alyss. “Daddy’s Rabbit Stew,” Poetry, 35.4 (Fall 2012): 873–874. Eckard, Paula Gallant. “The Entombed Maternal in Gloria Naylor’s Linden Hills,” Article, 35.3 (Summer 2012): 795–809. Edwards, Brent Hayes. “The Taste of the Archive,” Article, 35.4 (Fall 2012): 944–972. Edwards, Erica R. “Cotton’s Queer Relations: Same-Sex Intimacy and the Literature of the Southern Plantation, 1936–1968 by Michael P. Bibler,” Review, 35.1 (Winter 2012): 296–298. Farah, Nuruddin. “Witnessing Contemporary Somalia from Abroad,” Interview, Minna Niemi, 35.2 (Spring 2012): 330–340. Farrar, Charles. “Alien,” Art, 35.2 (Spring 2012): Front Cover; “City of Charlotte Gift to President Obama,” Art, 35.2 (Spring 2012): Back Cover; [End Page 1131] “Portfolio of Woodturning,” Art, 35.2 (Spring 2012): 379–388; “As Ubiquitous as Wood Is around Us: Artist Statement,” Nonfiction, 35.2 (Spring 2012): 389–391. Fawaz, Ramzi. “Space, that Bottomless Pit: Planetary Exile and Metaphors of Belonging in American
Art · Art history · Ballad · Drama · Literature · Narrative · Poetry · Queer · Sociology · Gender Studies · History · Latin American and Latino Studies · Poetry Analysis and Criticism
Divine Discontent
Kenneth W. Warren's What Was African American Literature
Cotton's Queer Relations
The scene of Harlem Cabaret
Necessary Crossings
Response to Brent Edwards’s “The Taste of the Archive
A Translation of a Translation
Caribbean Genesis
The Taste of the Archive
Of Male Exiles and Female Nations
Follow-Up Question for the Bombardier
Nux Vomica (Poison Nut)
Liberating Blackness
Ayin 3
The Road to Don Cornelius is Paved with Good Intentions
The Scene of Harlem Cabaret
Civil Rights Cold Case #8 (Or a Christmas Premonition)
Space, that Bottomless Pit
Freud Upside Down
Accounts Unpaid, Accounts Untold
Pringle's Pruning of Prince
Orphan Narratives
Translating Black Power and Beauty
Olympia Vernon's Children of Opinion
The Entombed Maternal in Gloria Naylor's Linden Hills
Poetic Negrism and the National Sentiment of Anti-West Indianism and Anti-Imperialism in Panamanian Literature
La Negra Angustias
The Ballad of Emmett Till
A Transatlantic Circuit
Race and Liberty in America
From Block Chapel
Global Matters
The Bloodpeople in the Language
Ayin 4
I Need Many Repetitions
Don't Let Me Be Misunderstood
A Grammar of Little Manhood
From The Dadaab Suite
"Reflections on Performing Ben Patterson's "Paper Piece
This is Not about Sadness
Conjoined Twins in Black and White
Node 5
Emmett Till Goes Skip-Stopping on the CTA
Commander of the Cool
Which Me Will Survive
Dead Woman Pickney
Chatterton, Shelley, Keats and I
Toward a Narratology of Passing
Adelaide's Blues
Changing Bodies in the Fiction of Octavia Butler
Location and Scope
Coon Songs Must Go! Coon Songs Go On
The Bottle Tree
Reading and Being Read
A Hairdresser's Experience in High Life
Creative Writing as Translation
NeoHooDoo
Before Brown
Let the World Listen Right
My Old Haunt
New Road Station
In the Old Days
From The Search
The Afro-Latin@ Reader
Twenty-Nine Post-Its Because I Couldn't Talk To You
Revolution Staccato in B
From What We Do Cherish
American Gothic
Introduction for Hortense Spillers
The House Girl
Revising the Colonial Caribbean
Role Modeling (A Beginning and a Continuation)
The Brother from Another Planet
Daddy's Rabbit Stew
Who Speaks for Margaret Garner
Toni Morrison's Disrupted Girls and Their Disturbed Girlhoods
Til Death or Distance Do Us Part
Seeing Double
The Voicing of Desire
| Citation velocity | historical |
|---|---|
| Highly cited | No |