Art and Influence, Presence and Navigation in Southern African Forager Landscapes
Bibliographic Data
| ID | 3213055 |
|---|---|
| Authors | Challi (0000-0002-9137-2680, University of the Witwatersrand, corresponding author), Andrew Skinner (0000-0003-2057-0265, University of the Witwatersrand) |
| Year | 2021 |
| Volume | 12 |
| Issue | 12 |
| Pages | 1099 |
| Publication date | 2021-12-13 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Religions (JOURNAL) |
| Journal identifiers | ISSN: 2077-1444 • E-ISSN: 2077-1444 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/rel12121099 |
| OpenAlex | W4200121803 |
| Language | EN |
| Citations received | 11 |
| References cited | 57 |
With earlier origins and a rebirth in the late 1990s, the New Animisms and the precipitate 'ontological turn' have now been in full swing since the mid-2000s. They make a valuable contribution to the interpretation of the rock arts of numerous societies, particularly in their finding that in animist societies, there is little distinction between nature and culture, religious belief and practicality, the sacred and the profane. In the process, a problem of perspective arises: the perspectives of such societies, and the analogical sources that illuminate them, diverge in more foundational terms from Western perspectives than is often accounted for. This is why archaeologists of religion need to be anthropologists of the wider world, to recognise where animistic and shamanistic ontologies are represented, and perhaps where there is reason to look closely at how religious systems are used to imply Cartesian separations of nature and culture, religious and mundane, human/person and animal/non-person, and where these dichotomies may obscure other forms of being-in-the-world. Inspired by Bird-David, Descola, Hallowell, Ingold, Vieiros de Castro, and Willerslev, and acting through the lens of navigation in a populated, enculturated, and multinatural world, this contribution locates southern African shamanic expressions of rock art within broader contexts of shamanisms that are animist
Dichotomy · Sketch · Anthropological Studies and Insights · Archaeology and Rock Art Studies · Pleistocene-Era Hominins and Archaeology
‘Turing Animism’ and the Disenchantment of Social Cognition
Kam and drum
Fluidities of personhood in the idioms of the Maloti-Drakensberg, past and present, and their use in incorporating contextual ethnographies in southern African rock art research
Identity Through Iteration
Continuity and Transition from the Early to Mid-Holocene at the Foothills of the Drakensberg
The Stars Know Where He Is’
Place, Landscape, and Recursivity
San rock paintings of women in the southern Maloti-Drakensberg and eastern Stormberg, Eastern Cape Province, South Africa
Exploring personhood and identity marking
An unsettled theory of mind
The Impact of Contact and Colonization on Indigenous Worldviews, Rock Art, and the History of Southern Africa
Primitive Views of the World
Soul Hunters
The Oxford Handbook of the Archaeology and Anthropology of Hunter-Gatherers
Cognitive Archaeology
The !Kung of Nyae Nyae
Dots and Dashes
High and mighty
A survey of social ecologies in the freshwater biomes of highland Lesotho and the adjacent Eastern Cape, South Africa
Hunter-gatherer archaeology in southern Africa
Southern African San Rock Painting as Social Intervention
Customs and Beliefs of the ¡xam Bushmen
Different people’ coming together
The root and tip of the || kwanna
Ethnographic Evidence Relating to 'Trance' and 'Shamans' among Northern and Southern Bushmen
The White Lady of Brandberg, South-West Africa, Her Companions and Her Guards
Through the Veil
On Different Approaches to San Rock Art
Quanto
The Syntax and Function of the Giant's Castle Rock-Paintings
The Neolithic Agricultural Revolution and the Origins of Private Property
He Who is a Devourer of Things’
Humans and Elephants, Transforming and Transformed
On the Origin of the Genus Psilocybe and Its Potential Ritual Use in Ancient Africa and Europe1
The bwili or ‘flying tricksters’ of Malakula
The Economic and Social Context of Southern San Rock Art [and Comments and Reply]
The Signs of All Times
Upper Palaeolithic Cave Art
Reconfiguring Hunting Magic
Testing the ‘Three Stages of Trance’ Model
Altered States of Consciousness and Palaeoart
The devil’s in the detail
Foragers on the Frontiers
Re-animating Hunter-gatherer Rock-art Research
Norm enforcement among the Ju/'hoansi Bushmen
Creolisation on the Nineteenth-century Frontiers of Southern Africa
Reading art, writing history
Therefore their parts resemble humans, for they feel that they are people
Cosmological Deixis and Amerindian Perspectivism
Ethnography and Iconography
"The Making of the "Bushmen
Kung Bushman Religious Beliefs
Representing Culture
Beyond nature and culture
Constructing a Cosmos
On Space As A Capacity
Three-Dimensional Puzzles
My place is the Bitterpits
My Name did Float Along the Road
Envisioning San History
| Unique citing works | 11 |
|---|---|
| Citations per year | 2,75 |
| Citation span | 2022 - 2026 (5) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 11 |